Friday 28 September 2018

British Musicals: ‘Wasted’ (2018)

British Musicals: ‘Wasted’ (2018)



Book and Lyrics by Carl Miller

Music by Christopher Ash






History

Wasted’ is a musical by Carl Miller (The National Theatre’s ‘Emil & The Detectives’) and Christopher Ash (founder member of ‘Showstopper! - The Improvised Musical'). Seen through the lens of a rock documentary, the show is an access-all-areas account of the struggles, heartbreaks and triumphs of the three Brontë sisters, Charlotte, Emily & Anne, and their brother Branwell.

Following ‘work in progress’ performances at the West Yorkshire Playhouse and Park Theatre London in 2016, the world premiere of the completed show was at the Southwark Playhouse on 6th September 2018, in a production co-produced by Big Finish supremo, Jason Haigh-Ellery. Leading the cast as Charlotte was Natasha Barnes, best known for covering for the indisposed Sheridan Smith in ‘Funny Girl’ in the West End a couple of years ago. Joining her were Siobhan Athwal as Emily, Molly Lynch as Anne, and Matthew Jacobs Morgan as Branwell.



Story

Brought up in a remote poverty-stricken town in Yorkshire, without money or opportunity, the Brontës fight ill-health, unrequited love and family feuds to write some of the most celebrated works of literature, including ‘Jane Eyre’ and ‘Wuthering Heights’. The lives behind the pages expose a struggling, squabbling, ferociously driven, drug-fuelled crash and burn trajectory from obscurity to celebrity, and ultimately their untimely deaths. The musical strives to explain how these ingenious women were left wondering whether their lives had been wasted.



In A Nutshell

The Brontës. They rock !



Production

Back at the Southwark Playhouse, having had to move performances due to accidentally booking for the captioned performance the day before which would have involved large proportions of the audience having to be staring at their phones throughout the show, I had a reasonably central seat. The tone for the evening was set by a parental advisory publicity postcard that I picked up at the box office. The show started with all four cast members entering in period costume and plugging their hand-held microphones into ports in the middle of the stage. This set the tone, as all items of set were related to concerts, with all documents being music manuscript paper and flight cases acting as writing desks. After an opening number that was slightly too Rock-y for me, there was a good run of songs that I enjoyed, which were slightly less loud, and so easier to hear the very clever words.

All four threw themselves into their roles – Athwal as the ‘Goth’ Emily (with more than a hint of Kate Bush), Barnes as the pragmatic Charlotte, Lynch as the initially virginal Anne, and Jacobs Morgan as the deluded Branwell who got the best jokes. 27 songs (including reprises) was a little too many, and I would have preferred a little more dialogue between scenes due to the high standard of the few instances that we did get. Certainly worth seeing for a new insight into the Brontës.


Wasted runs at the Southwark Playhouse from 6th September 2018 to 6th October 2018.



Favourite Song

I intend to cheat here and pick one for each Brontë. ‘Infinite Eternity’ for Charlotte, ‘My Soulmate’ for Emily, ‘No-One to Marry for Miles’ for Anne, and ‘I Am Gonna Be…” for Branwell.



Did I Buy The Cast Recording ?

No, there wasn't one available.
 
 

Links



Thursday 13 September 2018

British Musicals: ‘Everybody’s Talking About Jamie’ (2017)

British Musicals: ‘Everybody’s Talking About Jamie’ (2017)

Book and Lyrics by Tom McRae
Music by Dan Gillespie Sells
Inspired by the 2011 BBC Three documentary, ‘Jamie: Drag Queen at 16’.







History

Everybody’s Talking About Jamie’ is a musical by Tom McRae ('Doctor Who' & 'Threesome') & Dan Gillespie Sells ('The Feeling’), inspired by the 2011 BBC Three documentary ‘Jamie: Drag Queen at 16’, about Jamie Campbell, a sixteen year old Durham pupil who wanted to wear a dress to his end-of-school prom. Channel hopping, theatre director, Jonathan Butterell came across the documentary and immediately knew that he had to put Jamie's story on stage as a musical. He approached an old friend, Daniel Evans – Artistic Director of the Sheffield Crucible – who liked the idea, but pointed out that he needed collaborators.

Meanwhile, on a visit to see 'Kiss Me Kate' in Chichester, West End star, Michael Ball, got chatting with two aspiring musical theatre writers, Dan Gillespie Sells and Tom McRae. Discussing with them, he found they had no story, and advised them to work with Jonathan Butterell to come up with one. Michael rang Butterell and managed to matchmake a director with a story needing writers with writers who needed a story. Having met they pitched their plans to Evans and were commissioned.

Renaming the character, Jamie New, and relocating the action to Sheffield, the musical premiered at the Crucible Theatre, Sheffield on 13th February 2017, following previews from 8 February, it finished its short run on 25th February, directed by Butterell.

However, at the final matinee performance was impresario, Nica Burns, and impressed by what she saw, on 21st June it was announced that the musical would transfer to the West End at her Apollo Theatre from 6th November 2017 to 21st April 2018, with most of the Crucible Theatre cast returning. On 11th January 2018, the show announced a booking extension to 6th October 2018, and on 30th May 2018, the show announced a booking extension to 6th April 2019. The production was also broadcast live in cinemas across the UK on 5th July 2018



Plot

Jamie is out and proud, and about to finish school. His careers teacher proposes he work as a fork-lift truck driver, but Jamie wants to be a drag queen. As part of this, he decides to attend his school prom in a dress. With the support of his single parent mother, her friend Ray, his friend Pritti, and a mentor Hugo (and Hugo’s alter-ego Loco Chanelle), Jamie attempts to overcome prejudice, beat the bullies and step out of the darkness, into the spotlight. But can he overcome the doubts caused by his father calling him “disgusting” when he caught him wearing a dress ?



In A Nutshell

Sixteen: the edge of possibility. Time to make your dreams come true and be fabulous.



Production

My seat was literally in the back row of the Grand Circle, but I still had a fantastic view. The staging was excellent, but it is the performances that really stood out. All the reviews praise John McCrea as Jamie, but I feel as much credit should also go to Rebecca McKinnis as his mother, Margaret, and Lucie Shorthouse as Pritti. I was also pleased to see two more recent cast replacements meant that two actors whose work I enjoy were now in the production, Shobna Gulati (‘Dinnerladies’ & ‘Coronation Street’) as Ray, Margaret’s best friend, and Lee Ross (‘Press Gang’, ‘The Catherine Tate Show’ and Doctor Who episode ‘The Curse of the Black Spot’) as Hugo and the ‘fabulous’ Loco Chanelle. The story was both funny and affecting, and the musical numbers were great. And there was a Supertram joke, which only I seemed to get in my section of the theatre !

Highly recommended.


Everybody’s Talking About Jamie runs at the Apollo Theatre, London until at least 6th April 2019.



Favourite Song

It has to be ‘He’s My Boy’, sung by Jamie’s mother, closely followed by ‘It Means Beautiful’ sung by his BFF (and fellow ‘weirdo’) Pritti, and ‘The Legend of Loco Chanelle (And The Blood Red Dress)’ sung by Hugo.


Did I Buy The Cast Recording ?

Selected songs downloaded at home.


Links