Friday, 26 May 2017

Sherlockian Sojourns #1: Crowborough


Crowborough, a town in East Sussex on the edge of the Ashdown Forest, has two distinct significances for me – it’s the location of the army camp used in ‘Doctor Who’ story “The Curse of Fenric”, and its also where Sir Arthur Conan Doyle’s final home was (where he produced 19 Sherlock Holmes stories) and where he died in 1930. Consequently it is also home to the world’s only ACD statue, the deerstalkered one normally taking priority in commemorative effigies (in London, Edinburgh, Switzerland and even Moscow). I had visited many years ago, to take photos of the statue and camp, but the announcement of a ‘Crowborough Community Festival’ with Conan Doyle-themed events meant that that I decided to make a return visit.

Catching a bus to East Croydon Station, I caught a train to Eridge (the station before Crowborough), and made my way up a side-road to a main road, where after checking bus stops on both sides of the road, found the one I needed. A ten minute journey took me to Windlesham Manor, the former residence of Conan Doyle, now a care home for the elderly. Multiple photos taken of the building which still looked like the contemporary photos from Conan Doyle’s time there, and I strode off along a pre-prepared route back into central Crowborough.


My initial destination was the Crowborough Community Centre which was to be the venue for a promenade performance of vignettes from Conan Doyle’s life that afternoon, but which also represented the start point of the Crowborough Mystery Trail, a 2.6 mile wander around Crowborough taking in all the Sherlockian points of interest, whilst answering questions to solve the mystery of a prank played by two residents of the nearby Ashdown Forest on the town. The trail was well-thought out and also clear to follow with no confusing directions, and no need for maps. Halfway round, I found myself at the statue, but found it very difficult to get a photo with it, as it was on a high plinth, and I could not get more than half a foot on the plinth to be at the same height.



A little further round was ‘Cafe Baskerville’, a cafe that had been named ‘Sherlocks’ on my last visit. It being Sunday, it was closed.



At the foot of Crowborough Hill was a retirement village named after a certain detective.



Circuit of the village completed and I was back by the Community Centre, to combine my answers to provide answers to the identity of the pranksters, the investigating detective (who was not the obvious choice), the means of detection, and the date of the prank. Relating these to plaques at the end-point allowed easy confirmation of the correctness of my answers.
Next port of call was the local Morrisons for a picnic lunch, where to my delight the stairs leading from the High Street had Sherlockian posters all the way up. Sitting on a bench, looking out onto ‘Conan Doyle's’ favourite view’ of the town, I consumed my lunch, before strolling back to the Community Centre, displaying my pre-booked ticket for ‘Beyond Baker Street’, a promenade performance by the Crowborough Players.


I was directed downstairs to a waiting room, where ‘Sherlock – The Abominable Bride’ was quietly playing on a screen, being given a fizzy non-alcoholic drink on entry. After around fifteen minutes, and will all ticket-holders accounted for, we were shepherded onto the stage in the main hall, and met our ‘tour guide’. Opening monologue completed, the curtains opened to reveal the hall with its vignettes dotted around. First up was ACD at his writing table, and the other vignettes included politics, the Cottingley Fairies, ‘The Lost World’, football (Conan Doyle was a goalkeeper for Portsmouth), a séance, a Victorian school and a whaling ship. Each set had a letter on it, which were to form an anagram which was the answer to a cryptic clue. After around 45 minutes, we were all shepherded out to the foyer area, where everyone just stood around trying to solve the anagram – SDHIEAWLMN – there being a prize draw after all performances if you got it right. After around ten minutes of everyone just staring at the letters, one of the stewards mentioned a clue of ‘location’ to another participant, but it was still a further minute before I remembered my starting point of the day WINDLESHAM Manor, Conan Doyle’s Crowborough home (all performances being now over, I can reveal that this was the solution).

Posting my entry (I didn’t win), I strode off on the long walk to Crowborough Station, passing three roads named after Conan Doyle and the Detective and Doctor who made him famous.





On arriving at the station and seeing the bus-stop in front, I suddenly remembered that on my last visit I had caught a bus in and out of town. Having ten minutes before my train, I spent my time revisiting the photos that I had taken over the course of the day, before climbing onto a train back to East Croydon, and then home. It had been a very Doylean day !!!

Wednesday, 24 May 2017

Sherlockian Sojourns - Introduction

A new feature.

Last year to celebrate the 125th anniversary of 'The Reichenbach Struggle' (and my own 40th), I visited 'the Falls' 125 years to the day.   (The star marks the spot)


Over the next few months I have several more trips planned (but inside the UK) for Sherlock Holmes-related sites, and will document them here. I am titling the feature 'Sherlockian Sojourns'. I will also document a few previous trips (including Reichenbach) as 'Sherlockian Sojourns Specials'.

Please note, I intend to play 'The Game'.






Forgotten Musicals: ‘The Stripper’ (1982)


Forgotten Musicals: 'The Stripper' (1982)

 

Book by Carter Brown  

 

Lyrics by Richard O'Brien

Music by Richard Hartley




History:
The Stripper is a stage musical produced in 1982 by the Sydney Theatre Company, adapted by Richard O'Brien from the 1961 book of the same name written by Carter Brown. Much of the Rocky Horror creative team was involved in the show. In addition to Richard O'Brien composing lyrics, Richard Hartley wrote, arranged, and directed the music. Hartley was originally part of the four-piece band for the 'The Rocky Horror Show' and went on to arrange the score for the London Stage and film adaptations, as well as composing the incidental music for the 'Doctor Who' story, 'Mindwarp'. 

O'Brien had read a lot of Carter Brown detective stories and he'd come up with a script that was far too long. Rehearsals were not going well and all the actors were having trouble with the lines. The dialogue was very repetitive, and so the director, Brian Thomson (also a 'Rocky' alumni) started working on it. However, O'Brien wasn't having any of it, and refused to have his script touched and got so annoyed that Thomson eventually refused to have him in the theatre. The original cast included Terence (Jason's Dad) Donovan.

There have been two UK productions of The Stripper. The first in 2009 at the Queens Theatre, Hornchurch and the most recent in 2016 at the St James's Theatre, London.



Plot:
California 1961, and there’s trouble in Pine City. This is a case for Lieutenant Al Wheeler. Patty Keller, cousin to the title character Deadpan Dolores, is dead, but did she jump, was she pushed, or did she fall? Detective Al Wheeler is drawn into the mystery and the world of The Arkwright Happiness Club and the Club Extravaganza, where he meets "the girl the says it all from the neck down" - Deadpan Delores. She didn’t usually keep things under wraps, so what was she hiding ? With a nose for crime and an eye for the ladies, Wheeler will do whatever it takes to uncover the truth. Set in the early 1960's in California USA, this show captures the detective novel feel with style.


In a Nutshell: 
With dames aplenty, and a stripper who's concealing more than you'd expect, can Lieutenant Wheeler solve the case ?


Production:
Not unsurprisingly it was the 2016 revival at the St. James Theatre  (now The Other Palace) that I saw. The studio theatre seated just over a hundred people and the whole room became the Club Extravaganza, meaning that you felt like you were more a part of the show than just an audience member, particularly with some interaction with the audience, particularly from the main character, Lieutenant Al Wheeler.
Just five cast members in all played twelve characters, with some clever staging and some very quick costume changes making for a seamless show. These included Marc Pickering & Hannah Grover (both of whom I had enjoyed in 'The Toxic Avenger'). There was also a great five piece band stage right, in full view of the audience rather than hidden away, adding to the atmosphere. The songs varied from a torch-song to one the filthiest songs that I've ever heard in a musical  ('Man of Steel' - which is certainly not about Superman).
'The Stripper' ran at the St. James' Theatre in London from 11th July 2016 to 13th August 2016.


Signature Song:
Once again I find it difficult to choose - my emotional side wants 'Men Like That' and my filthy side wants 'Man of Steel' with its classic rhyme "I don't want to beg your pardon; Baby you give me a _____'.

Links:

We apologise for the break in transmission.

Unfortunately various personal issues have taken priority over the past few months, but I intend to post more frequently from now on.



Monday, 28 November 2016

Forgotten Musicals: ‘Soho Cinders’ (2011)

Forgotten Musicals: ‘Soho Cinders’   (2011)


Book by Anthony Drewe & Elliot Davies  

Lyrics by Anthony Drew

Music by George Stiles



History:
George Stiles and Anthony Drewe ('Betty Blue Eyes', 'Mary Poppins', 'Honk', 'The Three Little Pigs') started work on 'Soho Cinders' in 2000, having come up with the idea of updating a very basic version of Cinderella into something different in the 1990s. In the summer of 2000, they sat in Regents Park to start developing their adaptation and wrote a lot of it in France at Stiles' sister-in-law's house.Although the musical was almost finished, the pair had been busy with other projects which hindered their progress.Workshops for the musical began in the early 2000s but it was not until 6th July 2008 that some of the musical's songs were exclusively premiered at Her Majesty's Theatre as part of a gala concert that celebrated the 25th anniversary of Stiles and Drewe's songwriting partnership, entitled 'A Spoonful of Stiles and Drewe'. 

It then had a gala concert production at the Queen's Theatre on 9th October 2011 in aid of Teenage Cancer Trust. The concert, which was supported by Whatsonstage.com, was sold-out and featured a cast of West End performer. In 2012, Soho Cinders received its world premiere as a full-scale production at Soho Theatre, running from 3rd August to 9th September 2012.

Plot:
'Soho Cinders' is a modern musical fable that is set and celebrates the London district of Soho which mixes politics, sex-scandals and true love in a story about an impoverished student Robbie, who is paying for his college bills in a somewhat unorthodox way, becoming romantically involved with the engaged prospective mayoral candidate James Prince. James and Robbie's worlds collide forcing them to fight for their own fairy-tale ending in this hilarious, satirical twist on the classic Cinderella story.


In a Nutshell: 
Are fairy tale endings possible in real life ?


Production:
The production that I saw was at the Union Theatre in Southwark (10 minutes walk from Waterloo Station, or 5 minutes from Southwark Station), where a month before I had seen a disappointing production of the musical 'Moby Dick'  (There's only so many times that '__ years at sea, and still no sign of Dick' is funny). The show opened on 23rd November 2016, and I excitedly caught the second night, due to 'Betty Blue Eyes' (Drewe & Stiles) and 'Loserville'  (Elliot Davis) being two of my favourite musicals of recent years. The auditorium has moveable seating, and no actual stage, and in this case, seats were at the top and bottom of the hall with the action happening in the middle.

Our hero Robbie (Joshua Lewindon), the 'Cinders' of the piece, took a while to sing loud enough to be clearly heard over the band, but it was with the introduction of the main female characters that the show really took off for me. First his evil step-sisters, Clodagh (Michaela Stern) and Dana (Natalie Harman) appeared to throw him out of his late mother's flat and demand rent for the family launderette (a hint of 'Aladdin' creeping in), then were were introduced to his best friend, Velcro (Emily Deamer)  [geddit?] who runs the laundry with him, and who for me was the emotional heart of the show.  I found Robbie's daliances with both a middle-aged peer (Chris Coleman) and a mayoral candidate (Lewis Asquith) not as engaging as I would have liked, mainly due to the likely fall-out for other characters of any 'happy ending' but any musical number involving the Sisters or Velcro seemed to fly. The first Act ended with the remarkably catchy, 'You Shall Go To the Ball', and I was itching for it to start again. With Robbie and James' secret out, it was down to spin-doctor, William George (Samuel Haughton) to salvage what he could, both for James and himself. I also must praise Lowri Walton who was playing Marilyn Platt, James' fiancee, for all her scenes after the revelation, in particular her duet, 'Let Him Go', with Velcro. Happy endings were reached for some, with promises of happiness to come for others, and the action was ending with a full ensemble-version of 'You Shall Go To The Ball'. Very highly recommended.
'Soho Cinders' runs at the Union Theatre in London from 23rd November 2016 to 22nd December 2016.


Signature Song:
Once again I find it difficult to choose - my emotional side wants 'Let Him Go' and my fun side wants either of the Sisters' big numbers 'I'm So Over Men' and 'Fifteen Minutes' (a song easily customisable to current 15-minuters, such as Honey G) or Velcro's 'It's Hard to Tell' (about the difficulty in working out which men are gay and which are straight)

Links: 
Production website.
Some of the songs can be found here.

Wednesday, 23 November 2016

Forgotten Musicals: ‘The Toxic Avenger’ (2008)

Forgotten Musicals: ‘The Toxic Avenger’   (2008)


Book and lyrics by Joe DiPietro


Music and lyrics by David Bryan




History:
This rock ‘n’ roll musical comedy from the Tony Award-winning creative team behind Memphis’, Joe DiPietro and David Bryan, is based on the 1984 cult classic film from Troma Entertainment. It was first produced under the direction of John Rando at George Street Playhouse in New Brunswick, New Jersey and opened after previews officially on 10th October 2008. The New York City premiere opened at New World Stages on 6th April 2009, closing on 2nd January 2010 after over 300 performances, when the production left for a tour across the United States.

Plot:
The citizens of Tromaville, New Jersey, are crying out for a hero - enter Melvin Ferd the Third, an aspiring earth scientist determined to clean up the toxic waste problem. But when a corrupt Mayor and her government goons try to stop this heroic feat, Melvin is tossed into a vat of toxic waste and transformed into The Toxic Avenger, New Jersey’s first superhero! ‘Toxie’ is a seven-foot mutant freak with superhuman strength and a super-sized heart to match. He’s out to save New Jersey, end global warming, woo the prettiest (and blindest) librarian in town and get home in time for dinner, in the most toxic of love stories, with an environmental twist.


In a Nutshell: 
Can a seven-foot mutant freak ever save the day and get the girl, even if love is blind ?


Production:
The European premiere of 'The Toxic Avenger' was at the Southwark Playhouse, London, in April 2016 [where I was later to see the UK premiere of 'Side Show’]. Mark Anderson played ‘Melvin/Toxie’, whilst Hannah Grover, was Sarah, his love interest. Having heard good things about the show from my parents who had caught it off-Broadway on a visit to my cousin who actually lives in New Jersey (but not Tromaville), I booked a ticket for May 2016.

Taking my seat in an auditorium full of barrels of ‘toxic waste’, I was surprised when cult-musical star, Patricia Quinn, took a seat two rows behind me (she’s ‘Magenta’ in the ‘Rocky Horror Picture Show’, as well as being in Seventh Doctor TV story ‘Dragonfire’ and Seventh Doctor audio story ‘Bang-Bang-A-Boom’). Following a prologue involving a swearing nun and two workmen, the show began in earnest with the introduction of Melvin and Sarah the blind librarian whom he is in love with, followed by the villain of the piece, the sexy Mayor (Lizzii Hills). It also became clear that two actors, deemed Black Dude (Ashley Samuels) and White Dude (Marc Pickering) in the programme were playing all the other parts, from the bullies that throw Melvin in the toxic waste to Old Ladies, Police Officers and Doctors. The change to Melvin was well-realised, and Hannah Grover made the most of having to ‘feel her way’ off stage, climbing over those on the front row, admitting on the second occasion that this was just to allow for costume changes by Ashley and Marc. The rock score was excellently infectious, whilst also being very rude in the style of ‘The Book of Mormon’ (which both Mark & Ashley have been in). Highly recommended.
'The Toxic Avenger' ran at the Southwark Playhouse in London from 22nd April 2016 to 21st May 2016.


Signature Song:
Unfortunately my two favourite songs are both ‘parental advisory’, but my favourite is the sung fight between the Mayor and Melvin’s mother (who are both played by the same actress, rapidly swapping from one to the other) – ‘Bitch, Slut, Liar, Whore’. Running it close are ‘Evil is Hot’, again featuring the Mayor, and ‘You Tore My Heart Out’ – Toxie’s big number.


Links: 
Production website.
The songs can be found on Spotify here.

Tuesday, 15 November 2016

Forgotten Musicals: 'Side Show' (1997)

Forgotten Musicals: 'Side Show'   (1997)

Book and lyrics by Bill Russell

Music by Henry Krieger





History:
This musical is inspired by the true story of conjoined twins the Hilton Sisters, featuring a score by ‘Dreamgirls’ composer Henry Krieger and lyrics by Bill Russell (lyricist of Elegies for Angels’ and ‘Punks and Raging Queens’, rather than the Ian Chesterton actor). The original production, directed by Robert Longbottom, opened on Broadway in 1997. That production, despite the fact that it only played for four months, managed to find an incredibly loyal fan base that has only grown year after year, thanks to the enduring popularity of its Original Cast Recording.

Amongst the fans of that production was an up-and-coming writer and director named Bill Condon (who, at the time, was just a few months away from winning an Oscar for his screenplay of "Gods and Monsters"). Years later, when he was working with Henry Krieger on the film adaptation of ‘Dreamgirls’, he revealed his affection for ‘Side Show’, and expressed a desire to direct a production. Taking the opportunity to revisit the show, Russell, Krieger and Condon re-examined every syllable and note, strengthening the story, with an emphasis on fleshing out the male characters. A lot of long-abandoned ideas from those early drafts also re-emerged, in the new 2014 production, which had a "darker approach" and incorporated new songs as well as additional biographical details of the Hilton twins' life and historical figures of the era. The production began previews on Broadway at the St. James Theatre on 28th October 2014, opening officially on 17th November 2014. However, despite very positive reviews, the revival did not catch on with audiences and closed on 4th January 2015 after only seven weeks.


Plot:
The musical concerns conjoined twins Daisy and Violet Hilton, who make ends meet playing a headline act at a seedy side show, languishing under the rule of an oppressive ringmaster. But when spotted by a talent agent, they are thrust into the spotlight of the famed 1920’s Orpheum Circuit. They soon become the highest paid vaudeville stars of their time, but whilst Daisy relishes the spotlight, Violet wishes for a quiet life with a man she loves, and who loves her. Can they balance their individual dreams with their inescapable physical connection ?


In a Nutshell:
Can a conjoined twin ever find love where there’s always going to be three in the relationship ?


Production:
The UK premiere of 'Side Show' was at the Southwark Playhouse, London, in October 2016. A venue beginning to build a reputation for musical theatre not that far off that of its near neighbour, Menier Chocolate Factory, that is only a fifteen minute bus ride from the Court where I work  (In fact I was originally intending to feature one of their previous productions in this entry). The twins were played by Louise Dearman (according to the programme, the only actress to ever play both Glinda and Elphaba in ‘Wicked’) and Laura Pitt-Pulford (2016 Olivier Award nominee for ‘Best Actress in a Musical’ for her performance in ‘Seven Brides for Seven Brothers’ at Regent’s Park Open Air Theatre). I caught the show (the amended 2014 version) in the middle of its run on 15th November 2016.

The small auditorium was done up as a travelling freak-show, with the seating plan being so complex, it needed around four ushers to direct patrons to their seats. The show started with a grand opening number in which the supporting cast – including a wolfboy, tattooed lady, human pin-cushion, bearded lady, man/woman, fortune teller, lizard man, three-legged man, and cannibal chief – were introduced in song by the wicked freakshow owner, ‘Sir’, played with a wonderful moustache by Christopher Howell. The twins then made their entrance, their dresses tied together with ribbons to represent their shared ‘fleshy link’. The abuse of the ‘freaks’ soon became clear, but the twins were offered a lifeline by the arrival of a talent agent and his friend. Act One focused on court proceedings to sever the twins from their legal guardian (the other ‘freaks’ playing all the parts), and the beginning of their vaudeville career, as well as the twins falling in love for the first time, albeit seemingly not reciprocated. Act 2 featured the girls as stars and built to a climax that I had not predicted, with the ever-present suggestion of the possibility of an operation to separate the two regularly arising. Casting was perfect with Louise and Laura’s voices complementing one another wonderfully, and I was impressed how they coped with stairs when attached to one another. Christopher Howell was the perfect villain, and Haydn Oakley & Dominic Hodson were excellent as the twins’ ‘saviours’/love interests. Definitely recommended.


'Side Show' runs at the Southwark Playhouse in London from 21st October 2016 to 3rd December 2016.


Signature Song:
Again quite difficult to pick one, but I am going for "One Plus One Equals Three " (closely followed by "Stuck with You" and "Come Look At The Freaks")



Links: 
Production website.
Some of the songs can be found here.
Louise Dearman – Official Website