Saturday, 24 June 2017

Sherlockian Sojourns #3: Hindhead

 After a day spent in the footsteps of Peter Cushing, I decided to make another sojourn, but not quite so far this time. Despite it being only around an hour from my home address, I had never visited Undershaw, the house was built for Sir Arthur Conan Doyle at his order in Hindhead, Surrey, to accommodate his wife's health requirements. Undershaw is where Conan Doyle lived with his family from 1897 to 1907, and from where he published many of his works, including his most famous, 'The Hound of the Baskervilles'. The final decision was made on learning that as part of the 'Haslemere Hogs' event, in which painted pigs were distributed at venues around the area, there was a 'Sherlock Hams' pig at the nearby Cookie Bar cafe.

All seemed to be going well, and I made my way via train to Farnham (and the station which Violet Hunter rode to and from each week in 'The Solitary Cyclist'), catching a bus to the Hindhead Crossroads. 




However, on exiting the bus, as soon as 'Undershaw' came into sight, it turned out that I had bought the wrong type of ticket, needing a Gold Dayrider, rather than the standard version. The driver advised me that I would need to request a single to Frensham on the way back.

Crossing the road, I stood at the top of Undershaw's long drive. After Conan Doyle sold the house, Undershaw served as a hotel, which closed in 2004. The property was then vacant, falling into ruin until 2014 when the house and grounds were purchased by the DFN Charitable Foundation for Stepping Stones School, a school for children with special needs. In 2016, having built a new extension to Undershaw (which purposely does not match the original building), the school opened. Not wishing to wander around on school grounds (even on a weekend), I took photos from the top of the drive, attempting to focus on the 'old-part' of the building.







I then walked the five minutes to the cafe, finding it dark and locked up. A sign in the window indicated that they were unable to open today, and peering it through the window I could not see the pig. As if to add insult to injury, it then began raining, after over a week of good weather. I, therefore, took the decision to catch the next bus back to Farnham, rather than go into Haslemere to search for more pigs (which would not be covered by my wrong bus ticket). When the bus arrived, it was the same driver, who sold me the single to Frensham (making a total £1 more than the Gold Dayrider).

On arrival, I sat down on a bench on the platform, to wait the 10 minutes until my train home. However, the fates had not finished with me. A member of railway staff appeared to state that due to signalling problems there would not be a train for another hour. Therefore, as the rain had stopped, I walked into central Farnham to browse charity shops for an hour, whilst checking on my phone whether the trains were now running. Back at the station, I finally got a train home.

Friday, 23 June 2017

Sherlockian Sojourns #2: Whitstable

Whitstable, a seaside town on the north coast of Kent, does not feature in the Sherlock Holmes canon (unless it was this part of the Kent coast that ‘the famous observer’, J. G. Wood was swimming off when he encountered Cyanea Capillata, recording the encounter in his book 'Out of Doors', the reading of which inspired Holmes to the true solution of “The Lion’s Mane”). So why is it forming the second of this year’s ‘Sherlockian Sojourns’ ?

The answer is provided by the first place of interest encountered by myself on arrival, namely ‘The Peter Cushing Public House’.



Cushing played Holmes on both film and TV (including starring in two versions of the legendary ‘The Hound of the Baskervilles’), as well as being Grand Moff Tarkin in ‘Star Wars’, the Movie Dr. Who, and a Hammer Films regular. In 1959 (the year, he first appeared as Holmes, in the Hammer HOUND), he bought a seafront home in Whitstable, where he had been a regular visitor for many years. He lived there with his wife until her death in 1971. Cushing then continued living there until his death in August 1994 at the age of 81, pursuing his hobby of bird-watching whilst in retirement and writing his two autobiographies. However, it being too early for a drink (or even lunch), I crossed the road to the Whitstable Museum & Gallery




The Museum features a permanent exhibit on Cushing, instigated following his death in 1994. The display (where photos were not allowed) included a number of his personal effects, such as a suit jacket, his make-up bag, a Sherlock Holmes business card, and his personal headed notepaper (but unfortunately not the slippers that he wore as Grand Moff Tarkin when his feet were not in shot, which had been part of the original exhibit). I then listened to audio memories of Cashing, and on my way out I purchased 'Peter Cushing's Whitstable: An Illustrated Tour' (adding a few extra stops to those on one I had downloaded) and 'Peter Cushing: A Celebration', an illustrated guide to Cushing's career.

Leaving the museum, I set out on my tour, listening to Cushing reading stories from ‘The Return of Sherlock Holmes’.

First port of call was the former site of 'Keeler's', the newsagent who delivered Cushing's Daily Telegraph, now named the 'Windy Corner General Store'. One day, Cushing bought a box of Black Magic chocolates, asking that the price tag be removed. The owner, Steve Keeler, rightly guessed that they were intended as a gift, observing that nobody buys chocolates for themselves. Cushing's instant retort was 'Elementary, my dear Watson!'



Moving along Island Walk, I encountered 'Journey's End' (named for the play), a bungalow which was built in what was once the Cushing's garden.



Walking down a gravel path to the sea-wall, next was the main attraction, Cushing’s home for thirty-five years, 3 Seaway Cottages. This house unusually features high windows on the top floor, which provided both perfect light and perfect views for Cushing's other great passion, painting. It was also close to the sea, providing his ill wife, Helen, with fresh sea air (it was for a similar reason that ACD moved to Hindhead in Surrey in an attempt to improve the ill health of his wife, ‘Touie’). The house is pretty much as it would have been in Cushing’s time, and has a blue plaque commemorating its former owner on its front wall.




Moving along the seafront, alongside the beach where Cushing enjoyed swimming and painting, I made a slight detour to Oyster Cottage, where the Cushings had stayed in the early 1950’s before moving to Whitstable permanently.


Returning to the seafront, I reached ‘Cushing’s View’, the spot where Cushing could often be found in the later years of his life, sitting on the harbour wall, looking out to sea and the activities of the harbour. In the 1990’s , the spot was officially renamed in his honour, and a locally-made groynes bench was installed, which had previously been sited in the Cushings’ garden and donated to the town in 1992. The bench is a two-seater rather than the more common four-seater, as Cushing had thought that two lovers should always have a place to sit together. Due to there being an ice-cream van close by, I had to bide my time to sit on the bench, as family after family sat down to eat their '99s.




It was time for lunch, and so I returned via Horsebridge Road and the High Street, to ‘The Peter Cushing Public House’. Opening in 1912, the building was originally ‘The Oxford Picture Hall’, being extended in 1936 as ‘The Oxford Cinema’. Cushing attended the cinema with his wife and secretary several times. It later became a bingo hall, before falling into disrepair, then being refurbished and reopening as ‘The Peter Cushing’ in July 2011. Inside I was surrounded by photos of Cushing (including one in a Deerstalker), movie posters and some of his watercolours, as I chomped away on a gammon steak.










Retracing my steps, I walked down Harbour Street, passing 'Herbert's Cycles' which Cushing a keen cyclist often frequented, and the butchers which Helen always used, now renamed 'Jim's', from 'GH Theobald'. Next was St. Alphege Church, one of the churches attended by Cushing. Further along was 'The Black Dog' (which doesn't have a Cushing connection, but reminded me of HOUND).





 

Passing 'Woolleys' where Cushing bought his Grand Moff slippers, and finding that 'Hatchards' where he bought his clothes was now a 'Costa Coffee', I reached 'The Tudor Tea Rooms’. It was here that Cushing ate lunch every day (save Wednesdays when to his annoyance it was closed) after the death of his wife, having a favoured table behind a pillar. Even when too ill to attend in person, his secretary would pick up his lunch (his favourite being roast potatoes). He also spent time there sketching and painting.



Moving on, I reached 'John Kemp Funeral Directors' which organised Cushing's funeral, and two other establishments frequented by Cushing, 'VC Jones Fish & Chips' and 'Geoff Laurens Antiques', before popping back to 'Cushing's View' to look out to sea, and watching the RNLI lifeboat being launched..




Retracing my steps. I returned to 'The Tudor Tea Rooms', where I sat at the table with a tribute plaque on the infamous pillar, having a scone with cream and jam.



I then slowly made my way back to Whitstable Station, catching a train back to London Victoria, and then on home to plan a further expedition for the next day.

Sunday, 11 June 2017

Forgotten Musicals: 'Miss Nightingale' (2011)

Forgotten Musicals: 'Miss Nightingale' (2011)

 

Book, Lyrics and Music by Matthew Bugg








History:

Miss Nightingale started life as a small-scale chamber musical at The Lowry Studio and King's Head Theatre in 2011. It was written and directed by acclaimed theatre composer Matthew Bugg, whose work had been heard in theatres across the UK and in the West End for shows including "King Lear", "Three Men in a Boat" and "The Secret of Sherlock Holmes". The first full-scale version of the show was staged in 2013 in a co-production with the New Wolsey Theatre, Ispwich, in association with The Lowry, Salford Quays. Since then it has toured the UK, becoming one of The Guardian’s 'Top 50 Shows of 2016' and being recently voted into BritishTheatre.com’s 'Top 100 Greatest Musicals of All Time'


Plot:
London, 1942.  A smoky, underground cabaret club opens in the heart of the war-torn city.  A saucy new singer, Miss Nightingale is thrust into the spotlight.  Meanwhile, two men struggle to bring their love out of the shadows. A dangerous world where aristocrats slum it with black market spivs, songwriters take to the streets, and showgirls fight to change the world.  When secrets are revealed and lies exposed, the only resistance is to stand up and be counted.


In a Nutshell: 
If you could die tomorrow, wouldn’t you live today as if it were your last ?


Production:
I saw the show at 'The Vaults', a subterranean theatre under the railway at Waterloo. Also on on the same evening was their successful 'Alice's Adventures in Wonderland' immersive promenade show, for which the majority of patrons seemed to have attended. Finally we were gestured upstairs and for a brief moment believed that the show might be in the bar area, until someone had the sense to open a curtain leading to the auditorium, and we all shuffled in.

Having bought a programme (which for a few pounds extra could come with some rationed chocolate), I settled in for an evening described in a review that I had read as "Like Cabaret as written by Victoria Wood". I would concur with this, as Maggie Brown (Tamar Broadbent) was reinvented as the cabaret star, Miss Nightingale, singing bawdy songs (with more than a touch of double entendre). However, the emotional heart of the play was the love story between her pianist (Conor O'Kane) and their impressario (Nicholas Coutu-Langmead), in an era when homosexuality was illegal. The rumbling trains acted as the sound of distant bombs falling, adding to the 1940s atmosphere. Credit must also be given to the show's creator, Matthew Bugg, playing Maggie's brother Harry, who like the others played instruments in the songs, who managed to have played six different instruments by the end.  Both bawdily funny and touchingly sweet.

'Miss Nightingale' ran at 'The Vaults' in London from 30th March 2017 to 20th May 2017.


Signature Song:
No struggling with emotion this time. If I say 'The Sausage Song' (with its refrain 'You've got to get your sausage where you can') just edges out 'The Pussy Song', you can get an idea of Miss Nightingale's singing style.

Links:

Friday, 26 May 2017

Sherlockian Sojourns #1: Crowborough


Crowborough, a town in East Sussex on the edge of the Ashdown Forest, has two distinct significances for me – it’s the location of the army camp used in ‘Doctor Who’ story “The Curse of Fenric”, and its also where Sir Arthur Conan Doyle’s final home was (where he produced 19 Sherlock Holmes stories) and where he died in 1930. Consequently it is also home to the world’s only ACD statue, the deerstalkered one normally taking priority in commemorative effigies (in London, Edinburgh, Switzerland and even Moscow). I had visited many years ago, to take photos of the statue and camp, but the announcement of a ‘Crowborough Community Festival’ with Conan Doyle-themed events meant that that I decided to make a return visit.

Catching a bus to East Croydon Station, I caught a train to Eridge (the station before Crowborough), and made my way up a side-road to a main road, where after checking bus stops on both sides of the road, found the one I needed. A ten minute journey took me to Windlesham Manor, the former residence of Conan Doyle, now a care home for the elderly. Multiple photos taken of the building which still looked like the contemporary photos from Conan Doyle’s time there, and I strode off along a pre-prepared route back into central Crowborough.


My initial destination was the Crowborough Community Centre which was to be the venue for a promenade performance of vignettes from Conan Doyle’s life that afternoon, but which also represented the start point of the Crowborough Mystery Trail, a 2.6 mile wander around Crowborough taking in all the Sherlockian points of interest, whilst answering questions to solve the mystery of a prank played by two residents of the nearby Ashdown Forest on the town. The trail was well-thought out and also clear to follow with no confusing directions, and no need for maps. Halfway round, I found myself at the statue, but found it very difficult to get a photo with it, as it was on a high plinth, and I could not get more than half a foot on the plinth to be at the same height.



A little further round was ‘Cafe Baskerville’, a cafe that had been named ‘Sherlocks’ on my last visit. It being Sunday, it was closed.



At the foot of Crowborough Hill was a retirement village named after a certain detective.



Circuit of the village completed and I was back by the Community Centre, to combine my answers to provide answers to the identity of the pranksters, the investigating detective (who was not the obvious choice), the means of detection, and the date of the prank. Relating these to plaques at the end-point allowed easy confirmation of the correctness of my answers.
Next port of call was the local Morrisons for a picnic lunch, where to my delight the stairs leading from the High Street had Sherlockian posters all the way up. Sitting on a bench, looking out onto ‘Conan Doyle's’ favourite view’ of the town, I consumed my lunch, before strolling back to the Community Centre, displaying my pre-booked ticket for ‘Beyond Baker Street’, a promenade performance by the Crowborough Players.


I was directed downstairs to a waiting room, where ‘Sherlock – The Abominable Bride’ was quietly playing on a screen, being given a fizzy non-alcoholic drink on entry. After around fifteen minutes, and will all ticket-holders accounted for, we were shepherded onto the stage in the main hall, and met our ‘tour guide’. Opening monologue completed, the curtains opened to reveal the hall with its vignettes dotted around. First up was ACD at his writing table, and the other vignettes included politics, the Cottingley Fairies, ‘The Lost World’, football (Conan Doyle was a goalkeeper for Portsmouth), a séance, a Victorian school and a whaling ship. Each set had a letter on it, which were to form an anagram which was the answer to a cryptic clue. After around 45 minutes, we were all shepherded out to the foyer area, where everyone just stood around trying to solve the anagram – SDHIEAWLMN – there being a prize draw after all performances if you got it right. After around ten minutes of everyone just staring at the letters, one of the stewards mentioned a clue of ‘location’ to another participant, but it was still a further minute before I remembered my starting point of the day WINDLESHAM Manor, Conan Doyle’s Crowborough home (all performances being now over, I can reveal that this was the solution).

Posting my entry (I didn’t win), I strode off on the long walk to Crowborough Station, passing three roads named after Conan Doyle and the Detective and Doctor who made him famous.





On arriving at the station and seeing the bus-stop in front, I suddenly remembered that on my last visit I had caught a bus in and out of town. Having ten minutes before my train, I spent my time revisiting the photos that I had taken over the course of the day, before climbing onto a train back to East Croydon, and then home. It had been a very Doylean day !!!

Wednesday, 24 May 2017

Sherlockian Sojourns - Introduction

A new feature.

Last year to celebrate the 125th anniversary of 'The Reichenbach Struggle' (and my own 40th), I visited 'the Falls' 125 years to the day.   (The star marks the spot)


Over the next few months I have several more trips planned (but inside the UK) for Sherlock Holmes-related sites, and will document them here. I am titling the feature 'Sherlockian Sojourns'. I will also document a few previous trips (including Reichenbach) as 'Sherlockian Sojourns Specials'.

Please note, I intend to play 'The Game'.






Forgotten Musicals: ‘The Stripper’ (1982)


Forgotten Musicals: 'The Stripper' (1982)

 

Book by Carter Brown  

 

Lyrics by Richard O'Brien

Music by Richard Hartley




History:
The Stripper is a stage musical produced in 1982 by the Sydney Theatre Company, adapted by Richard O'Brien from the 1961 book of the same name written by Carter Brown. Much of the Rocky Horror creative team was involved in the show. In addition to Richard O'Brien composing lyrics, Richard Hartley wrote, arranged, and directed the music. Hartley was originally part of the four-piece band for the 'The Rocky Horror Show' and went on to arrange the score for the London Stage and film adaptations, as well as composing the incidental music for the 'Doctor Who' story, 'Mindwarp'. 

O'Brien had read a lot of Carter Brown detective stories and he'd come up with a script that was far too long. Rehearsals were not going well and all the actors were having trouble with the lines. The dialogue was very repetitive, and so the director, Brian Thomson (also a 'Rocky' alumni) started working on it. However, O'Brien wasn't having any of it, and refused to have his script touched and got so annoyed that Thomson eventually refused to have him in the theatre. The original cast included Terence (Jason's Dad) Donovan.

There have been two UK productions of The Stripper. The first in 2009 at the Queens Theatre, Hornchurch and the most recent in 2016 at the St James's Theatre, London.



Plot:
California 1961, and there’s trouble in Pine City. This is a case for Lieutenant Al Wheeler. Patty Keller, cousin to the title character Deadpan Dolores, is dead, but did she jump, was she pushed, or did she fall? Detective Al Wheeler is drawn into the mystery and the world of The Arkwright Happiness Club and the Club Extravaganza, where he meets "the girl the says it all from the neck down" - Deadpan Delores. She didn’t usually keep things under wraps, so what was she hiding ? With a nose for crime and an eye for the ladies, Wheeler will do whatever it takes to uncover the truth. Set in the early 1960's in California USA, this show captures the detective novel feel with style.


In a Nutshell: 
With dames aplenty, and a stripper who's concealing more than you'd expect, can Lieutenant Wheeler solve the case ?


Production:
Not unsurprisingly it was the 2016 revival at the St. James Theatre  (now The Other Palace) that I saw. The studio theatre seated just over a hundred people and the whole room became the Club Extravaganza, meaning that you felt like you were more a part of the show than just an audience member, particularly with some interaction with the audience, particularly from the main character, Lieutenant Al Wheeler.
Just five cast members in all played twelve characters, with some clever staging and some very quick costume changes making for a seamless show. These included Marc Pickering & Hannah Grover (both of whom I had enjoyed in 'The Toxic Avenger'). There was also a great five piece band stage right, in full view of the audience rather than hidden away, adding to the atmosphere. The songs varied from a torch-song to one the filthiest songs that I've ever heard in a musical  ('Man of Steel' - which is certainly not about Superman).
'The Stripper' ran at the St. James' Theatre in London from 11th July 2016 to 13th August 2016.


Signature Song:
Once again I find it difficult to choose - my emotional side wants 'Men Like That' and my filthy side wants 'Man of Steel' with its classic rhyme "I don't want to beg your pardon; Baby you give me a _____'.

Links:

We apologise for the break in transmission.

Unfortunately various personal issues have taken priority over the past few months, but I intend to post more frequently from now on.