This sojourn took me first to Hatfield House, in Hertfordshire, 21 miles north of London, a fine Jacobean House and Garden in a spectacular countryside setting. Over the years the house has been used for multiple films, including 'Batman' (1989), 'Batman Begins' (2005), 'Charlie and the Chocolate Factory' (2004), 'The King's Speech' (2010), both 'Paddington' films, and most recently, the Oscar-winning 'The Favourite' (2018). However, it has also appeared in 'Sherlock Holmes' (2009), 'Sherlock Holmes: A Game of Shadows' (2011) and 'Mr Holmes' (2015). I therefore made my way to Kings Cross and then by train to Hatfield (the University of which my professional qualification was gained as a distance-learning student).
Walking up the long driveway, I found myself at the house, and made my first point of call, the East Garden, which is only open on Wednesdays. It was in in this formal garden, with its odd geometric topiary that in 'Mr Holmes', Holmes (Ian McKellen) engaged Anne Kelmot (Eighth Doctor audio companion, Hattie Morahan) in conversation.
Leaving the Garden, I made my way to the front of the house.
Entering I made my way into the first room - 'The Marble Hall' - which featured as 'Scotland Yard' in 'Sherlock Holmes: A Game of Shadows', being where Inspector Lestrade (Eddie Marsan) watched as Moriarty's fiendish code was cracked.
Moving up a staircase, I found myself in 'The Long Gallery', which appeared as the Headquarters of the 'Temple of the Four Orders' in 'Sherlock Holmes'. Supposedly in St. James', it was here that Holmes (Robert Downey Jr) met Sir Thomas (James Fox) and the Home Secretary (Hans Matheson).
In a next door room was the first of a number of displays of costumes from 'The Favourite'. I took photos of those belonging to the three stars - Olivia Coleman, Emma Stone and Rachel Weisz.
The final room of interest was 'The Library' which appears in both 'Mr Holmes' as 'The Diogenes Club' where Holmes meets with his brother Mycroft (John Sessions); and in 'Sherlock Holmes: A Game of Shadows" as Moriarty's study where Holmes and Moriarty (Jared Harris) spar verbally, and a not so veiled threat is made to the newlywed Watson (Jude Law).
Exiting via the Gift Shop which had a basket of DVDs filmed at the house, I made my way to the start point for the woodland walks through the grounds.
Choosing the medium walk (2 miles), I made my way through woodland, until I finally reached the site where Elizabeth I learned of her accession to the throne of England in 1558.There was formerly an Oak tree on the site, but this having decayed, a new Oak was planted by the current Queen Elizabeth in 1985.
Returning to the Station, and managing to avoid the sudden rain showers, I made my back to Kings' Cross, and caught a Tube to Holborn, making my way to Lincoln's Inn, one of the four Inns of Court in London to which barristers of
England and Wales belong and where they are called to the Bar. Lincoln's
Inn is recognised to be one of the world's most prestigious
professional bodies of judges and lawyers. This is another location used in multiple films, but it was again for 'Mr Holmes' that I visited.
On the way into Lincoln's Inn, I walked down Carey Street, which appeared as a London street in the film.
I then entered Lincoln's Inn, passing Wildy & Son's, a legal bookshop which appeared in the film as a Taxidermist that Anne looked into when followed by Holmes.
Emerging into Lincoln's Inn, I found myself in New Square, which appeared as the rear of the bookshop of Madam Schirmer (Frances De La Tour), to which Holmes follows Anne.
My final point of call was the vaulted Undercroft beneath the Chapel of Lincoln’s Inn, which Holmes tails Anne through. This striking space is a favourite location, seen also in Tony Richardson’s 1963 Oscar-winner 'Tom Jones', in 'Jack Ryan: Shadow Recruit' and in the 1995 screen version of 'Richard III' (also starring Ian McKellen).
This brought to an end my filming locations tours, but on the way to my evening's entertainment, I undertook a brief mini-tour relating to 'The Sussex Vampire'.
My evening was spent watching a play, "The Firm" at Hampstead Theatre, starring Jay Simpson who appeared as Wiggins in "The Baker Street Boys" and managing to grab a photo with him.
A repository for excess furniture in my brain attic. I am a forty-something 'Doctor Who' and 'Sherlock Holmes' addict.
Thursday, 30 May 2019
Monday, 20 May 2019
Sherlockian Sojourns 18: "Mycroft’s Rails"
“Mycroft
has his rails and he runs on them. His Pall Mall lodgings, the
Diogenes Club, Whitehall—that is his cycle” - Sherlock Holmes
[BRUC]
As part of their
‘London Weekend 2019’, the Sherlock
Holmes Society of London were proposing to retrace the
steps of Holmes Senior, from his lodgings in Pall Mall to the Foreign
and Commonwealth Office (FCO) on King Charles Street, where on
occasions he “was the British Government” [BRUC]. Places were
limited, but I managed to get one. The meeting point was at 2pm sharp
at Waterloo Place, St. James’s, just next to the Duke of York
column situated just above the steps down to The Mall (which Sherlock
and Mary rode down on a motorcycle in ‘The
Empty Hearse’). Having a few minutes to spare, I
managed to wander down Pall Mall to take photos of the former
sites of the Baldwin Club (one of the Card Clubs frequented by the
Honourable Ronald Adair in ‘The
Empty House’) and the Junior Carlton Club (believed
by Dr Seth Alexander Thévoz, author of ‘Club
Government’, to be the Diogenes Club). I also passed
the former site of ‘Cox & Co’ which held Watson’s battered
dispatch box containing details of unrecorded cases, as outlined in
‘The
Problem of Thor Bridge’.
Returning to the column
, which is situated next to the building that acts as the Diogenes
Club in ‘Sherlock’, I joined a small group, with five minutes to
spare.
Following a brief
introduction by the organiser of the walk, Marcus Geisser, BSI, we
strode off down the stairs, past St. James’ Park and Horse Guards
Parade (where preparations were being made for a ‘Trooping The
Colour’ dress rehearsal, the next day. After around ten minutes, we reached the
FCO, taking the likely route that Mycroft would have done on a daily
basis. The Foreign and Commonwealth Office occupies a building which
originally provided premises for four separate government
departments: the Foreign Office, the India Office, the Colonial
Office, and the Home Office. Construction on the building began in
1861 and finished in 1868, and it was designed by the architect
George Gilbert Scott. Its architecture is in the Italianate style;
Scott had initially envisaged a Gothic design, but Lord Palmerston,
then Prime Minister, insisted on a classical style.
Here a one hour’s
private tour of the building had been arranged for our group.
Photography was prohibited in some areas of the building on security
grounds, but I was able to take photos of several meeting rooms which
may have been frequented by Mycroft, and a ministerial room which he
may also have known. We also got to look out onto Downing Street and
Numbers 10 & 11. The guide was very enthusiastic, and we ended up
spending an hour-and-a-half wandering the FCO corridors.
We then retraced our steps at speed to the Athenaeum Club, situated at 107 Pall Mall, one of the prime candidates for The Diogenes Club.
"There
are many men in London, you know, who, some from shyness, some from
misanthropy, have no wish for the company of their fellows. Yet they
are not averse to comfortable chairs and the latest periodicals. It
is for the convenience of these that the Diogenes Club was started,
and it now contains the most unsociable and unclubable men in town”
– Sherlock Holmes [GREE]
Having
gained entry through one of our party who is a member, we moved to
the basement where an exhibition had been created for us by the Club
Archivist, relating to Watson’s Literary Agent, Sir Arthur Conan
Doyle’s membership of this prestigious club, including his
signature in the register and details of dinners that he was present
at, one also including Norman
Hapgood, the editor of ‘Collier’s Weekly’ in
which Holmes was resurrected soon after the dinner.
The
afternoon was concluded with tea and biscuits, and a visit to the
Drawing Room, one of the few areas of the Club where non-members are
allowed.
Thursday, 9 May 2019
THEATRE REVIEW – ‘Waitress’ (Adelphi Theatre)
THEATRE
REVIEW – ‘Waitress’ (Adelphi Theatre)
Jenna
Hunterson is a waitress and expert pie-maker who dreams of a way out
of her small town and rocky marriage. Pouring her heart into her
pies, she crafts desserts that mirror her topsy-turvy life such as
“The Key (Lime) to Happiness Pie” and “Betrayed By My Eggs
Pie”. When a baking contest in a nearby county — and a satisfying
run-in with someone new — show Jenna a chance at a fresh start, she
must find the courage to seize it. Change is on the menu, as long as
Jenna can write her own perfectly personal recipe for happiness.
This show based on the Adrienne Shelly-penned movie, features
original music and lyrics by 7-time Grammy nominee Sara Bareilles,
and was previously a hit on Broadway. The London production is led by
Katharine McPhee, runner-up on the fifth season of ‘American Idol’
and childhood friend of the Duchess of Sussex.
On
entering the Adelphi Theatre, the first thing that hits you is the
smell of newly baked pie, the producers having installed four small
ovens out of sight around the theatre, in which Granny Smith apple
pies, each packed with copious amounts of cinnamon and nutmeg are
baked for 90 minutes prior to every performance. They even sell pies
in small pots – Banoffee and Strawberries & Cream – and
having booked through an online offer, I was entitled to a free pie.
Flicking
through the programme, I was delighted to see several names that I
recognised, in particular the two other waitresses - Marisha Wallace
(playing the fiery ‘Becky’) whose opening night in the main role
in “Dreamgirls” I had seen the previous year; and Laura Baldwin
(playing the mousy ‘Dawn’) whose turn as ‘Janey’ in
“Eugenius!” had been the stand-out performance on both occasions
that I saw the show.
Everyone
finally having taken their seats, the show started. The action moved
between the diner where Jenna works, the pantry where she creates a
new pie every day, her home, and a Doctor’s consulting room. I was
impressed by the clever use of the ensemble both as diner customers,
and to assist during ‘dream sequences’ and in moving parts of the
set. I also liked how every so often the band would move centre-stage
for one of the numbers. I found the first few numbers to be
reasonably forgettable, but in my view, the show came alive when it
moved to its secondary plot, Dawn’s love life, and the character of
‘Ogie’ played by Jack McBrayer (from NBC’s “30 Rock”, and
voice of ‘Fix It Felix’ in “Wreck It Ralph”) was introduced
with an outstanding number. I also enjoyed the humour of the piece
that effectively balanced some of the more serious themes, with
McBrayer and David Hunter (playing Jenna’s potential love-interest)
demonstrating very impressive physical comedic talent. Peter Hannah
(who played the Victorian Policeman in “Doctor Who: Deep Breath”)
also impressed as Jenna’s abusive husband.
The
interval saw me eating my Banoffee Pie, and I enjoyed the second half
more. McPhee got to sing her showstopper - ‘She Used to Be Mine’,
and Shaun Prendergast playing Joe, the Diner’s owner moved the
entire theatre with ‘Take It From An Old Man’. The show came to
an end, but there was to be a ‘Cast Album Karaoke’ night, hosted
by Laura Baldwin, in which fans could sing one minute of any song
from Waitress, live on the Adelphi’s stage, accompanied by the
show’s musical director. There would also be the chance to win a
one-night-only cameo role in the show. However, I decided not to stay
for this. I would certainly recommend the show (and the pies, even if
£7 seemed a little steep – look out for ‘Free Pies’ offers).
‘Waitress’
is running at the Adelphi Theatre, The Strand, London,
Monday-Saturday 7.30pm, and Wednesdays and Saturdays 2.30pm.
The
Box Office at the Adelphi Theatre is open from 10am until 7:45pm
Monday to Saturday. For Monday-Friday performances, a limited number
of Day Seats at £25 are available in person at the box office from
10am.
Website:
https://waitressthemusical.co.uk/
Wednesday, 24 April 2019
British Musicals: ‘Club Tropicana – The Musical’ (2019)
British Musicals: ‘Club
Tropicana – The Musical’ (2019)
Book by Michael
Gyngell,
Music & Lyrics - Various
History
‘Club Tropicana
– The Musical’ is a 1980s jukebox musical written by
actor, writer and director, Michael Gyngell, who previously
co-adapted the Cliff Richard film musical ‘Summer Holiday’
into a stage musical. He also wrote ‘Close Encounters’, a
new musical which was performed at Century City, Los Angeles. (He was
also part of the choir in the original West End production of ‘Joseph
and the Amazing Technicolor Dreamcoat’ in 1973). The show
features 24 1980s pop classics from artists such as ABC, Cyndi
Lauper, Frankie Goes to Hollywood, a-ha, Culture Club, Bucks Fizz and
Depeche Mode, all performed with a live band on stage. However,
despite the title it does not feature ‘Club Tropicana’, as George
Michael’s estate refused to grant the rights (possibly due to
future plans for a ‘Wham’ musical). The show is written around
its star, Joe McElderry, the 2009 ‘X Factor’ winner, and the
original cast also features Kate Robbins (‘Dinnerladies’),
Sugababe Amelle Berrrabah, Neil McDermott (‘EastEnders’,
‘Doctor Who: The Next Doctor’), and Emily Tierney
(‘Eugenius’). The show is due to tour the UK from January
2019 to August 2019.
Story
Welcome to the vibrant
Club Tropicana Hotel- the 1980s answer to Love Island, where
the drinks are free (but just the first one). When a budding bride
and groom get cold feet, they decide to jet off to sunnier climes and
feel the heat– but little do they know they’ve both checked into
the same hotel...
The sizzling summer season at the Club Tropicana sees drinks flowing and tans glowing. Will our young lovers decide to go through with the wedding? Will the hotel inspectors finally get their way and close the resort, or will the staff, led by Entertainment Manager, Garry, save the day ?
The sizzling summer season at the Club Tropicana sees drinks flowing and tans glowing. Will our young lovers decide to go through with the wedding? Will the hotel inspectors finally get their way and close the resort, or will the staff, led by Entertainment Manager, Garry, save the day ?
In A Nutshell
“Castaways and Lovers
meet,
Then kiss in Tropicana's heat”
Then kiss in Tropicana's heat”
Production
I caught the press
night at the New
Wimbledon Theatre. The audience was full of people in
eighties clothes and Hawaiian shirts. Following an opening scene in
which Lorraine (Karina Hind) called off her wedding to Olly (Cellen
Chugg Jones), by phoning him at the church on his brick-like mobile
phone, the scene changed to the Club Tropicana, the proposed
honeymoon venue, where both bride and groom had each decided to go to
anyway, each with two friends. Following a brief piece of audience
participation, in which Garry (Joe McElderry) taught us all a dance
routine to ‘Just Can’t Get Enough’, and the show proper
started, with a focus on the Club’s owners, Robert (Neil McDermott)
and Serena (Amelle Berrabah), potential hotel inspector Christine
(Emily Tierney) Garry, and ‘comedy Spanish cleaner’ Consuela
(Kate Robbins), the latter two getting the majority of the very
funny, slightly risqué lines. The plot played to two of its stars
strengths with Joe getting to sing a large number of the songs, and
Kate getting to do several of her impressions. In fact at some points
it seemed as if they were both in a panto, whilst the others were in
a musical. Emily also had great fun in making repeated jokes about
Joe’s lack of stature. Having somehow managed to avoid meeting for
the majority of Act 1, Lorraine and Olly were finally reunited for
the cliffhanger leading into the interval. The second act was more of
the same, and the show ended with a double wedding and a megamix of
eighties hits.
Very, very funny !!!
And with all the eighties hits, right up my street.
Club Tropicana –
The Musical runs at the New Wimbledon Theatre until 27th
April 2019. It then tours to Wolverhampton Grand Theatre (29 Apr –
4 May), Coventry Belgrade Theatre (7 – 11 May), Oxford New
Theatre (13 – 18 May), Sunderland Empire Theatre (20 – 25 May),
Manchester Opera House (3 – 8 Jun), Edinburgh Playhouse (11 – 15
Jun), Canterbury Marlowe Theatre (17 – 22 Jun), Llandudno Venue
Cymru (24 – 29 Jun), Liverpool Empire (1 – 6 Jul), Nottingham
Theatre Royal (8 – 13 Jul), Southampton Mayflower Theatre (22 –
27 Jul), Dublin Bord Gais Energy Theatre (30 Jul – 3 Aug),
Inverness Eden Court (5-10 Aug), and Cardiff Millennium Centre (13 –
17 Aug)
Favourite Song
Anything sung by the
wonderful Kate Robbins, in particular her take on “I Could Be So
Good For You” (the Dennis Waterman-penned ‘Minder’ theme).
Did I Buy The Cast Recording ?
No, there wasn't one available and I've got all the songs on various 80s compilations.
Links
Production Website:
https://clubtropicanamusical.com/
Sunday, 7 April 2019
Sherlockian Sojourns #17: 'A Christmas Wild Goose Chase'
Something a little bit different this time. Using an app - 'Story Tourist' which I had downloaded in the middle of last year (and seemingly now discontinued), I undertook a self-guided tour, based on 'The Adventure of the Blue Carbuncle' (only four months after Christmas !!). The walk was
approximately 5 km long and took around 90 minutes. The tour used GPS to determine when I had reached the correct
location, then presented the corresponding segment of the story in both
text and audio. The user also has the ability to immerse themselves
further by taking photographs using customised filters – such as allowing me
to wear Sherlock’s iconic pipe and hat while standing out front of 221B
Baker Street.
The walk began outside the 'Sherlock Holmes Museum', where I struggled to get the filter to work as my arms were not long enough to hold my tablet far enough way from me to make my face small enough to fit under the hat and pipe. (I decided to give up on the other filters). The first section of the story, relating to Watson visiting Holmes at Baker Street to wish him 'Merry Christmas' listened to and I moved on to the next 'story-point'.
This was the corner of Baker Street and Marylebone Road, where according to the text that came up, Henry Baker lost his Christmas goose. This didn't seem right to me, but I took a photo anyway. [However, on my return home, I confirmed that the loss had been at the corner of Tottenham Court Road and Goodge Street]
Next stop was the 'Sherlock Holmes' statue outside 'Baker Street' Underground Station, where I listened to Watson's failed deductions and Holmes' successful ones on Henry Baker's hat.
Walking along Marylebone Road, and down a side-road, I eventually reached the site of Conan Doyle's Ophthalmic Practice (now a Dental Practice) at 2 Upper Wimpole Street, listening to the finding of the titular gem in the crop of the lost goose.
Walking to the next 'story point', I passed two other points of Sherlockian interest - Queen Anne Street, where Watson set up home and practice having 'selfishly deserted [Holmes] for a wife'; and Wigmore Street, the Post Office visited by Watson in 'The Sign of Four', deduced by Holmes based on mud on his shoes. However, the app made no mentions of these.
The next 'story point' was Cavendish Square Gardens, where the app located the Hotel Cosmopolitan from where the stone was stolen. (The story does not give an exact location).
The walk to the next point - Bedford Square Gardens- did bring me to the corner of Goodge Street and Tottenham Court Road that had been replaced earlier. This point, where I listened to Holmes praising the gem, appeared to have neither canonical or ACD-connections, being chosen for being halfway between the points on either side. The walk also went past the Langham Hotel which has a plaque commemorating Conan Doyle being commissioned to write 'The Sign of Four' (as well as being mentioned in the story and 'A Study in Scarlet'). This would seem to have been a more appropriate stopping point.
Finally I reached the 'Museum Tavern' opposite the British Museum, which appears in the story as 'The Alpha Inn' (but changed to its actual name in the text displayed and read). I felt that there was another missed opportunity, as just over the way was Montague Street, where Holmes lived immediately on coming down from University, and first set up as a consulting detective.
The anti-penultimate and penultimate stops were both in Covent Garden, where Holmes and Watson first question a goose-dealer, and then apprehend the thief of the Countess of Morcar's precious stone.
Making my way down Southampton Street (no mention of it being the site of the offices of 'The Strand Magazine'), I came out onto the Strand (a short distance from 'Simpsons', a restaurant regularly visited by Holmes and Watson).
Walking down the Strand, and down some side streets, I arrived at the final stop, 'The Sherlock Holmes Public House', where I memorably celebrated my fortieth birthday. Here I listened to the final part of the story, set back at Baker Street (the pub has a recreation of the 221b study). Opposite was the site of Scotland Yard in Holmes' time.
The walk began outside the 'Sherlock Holmes Museum', where I struggled to get the filter to work as my arms were not long enough to hold my tablet far enough way from me to make my face small enough to fit under the hat and pipe. (I decided to give up on the other filters). The first section of the story, relating to Watson visiting Holmes at Baker Street to wish him 'Merry Christmas' listened to and I moved on to the next 'story-point'.
This was the corner of Baker Street and Marylebone Road, where according to the text that came up, Henry Baker lost his Christmas goose. This didn't seem right to me, but I took a photo anyway. [However, on my return home, I confirmed that the loss had been at the corner of Tottenham Court Road and Goodge Street]
"As he reached the corner of [Goodge Street], a row broke out between this stranger and a little knot of roughs"
Next stop was the 'Sherlock Holmes' statue outside 'Baker Street' Underground Station, where I listened to Watson's failed deductions and Holmes' successful ones on Henry Baker's hat.
"Watson, you can see everything. You fail, however, to reason from what you see".
Walking along Marylebone Road, and down a side-road, I eventually reached the site of Conan Doyle's Ophthalmic Practice (now a Dental Practice) at 2 Upper Wimpole Street, listening to the finding of the titular gem in the crop of the lost goose.
"By Jove, Peterson, this is treasure trove indeed !"
Walking to the next 'story point', I passed two other points of Sherlockian interest - Queen Anne Street, where Watson set up home and practice having 'selfishly deserted [Holmes] for a wife'; and Wigmore Street, the Post Office visited by Watson in 'The Sign of Four', deduced by Holmes based on mud on his shoes. However, the app made no mentions of these.
The next 'story point' was Cavendish Square Gardens, where the app located the Hotel Cosmopolitan from where the stone was stolen. (The story does not give an exact location).
"It was lost, if I remember right, at the Hotel Cosmopolitan," I remarked.
"It's a bonny thing, just see how it glints and sparkles."
Finally I reached the 'Museum Tavern' opposite the British Museum, which appears in the story as 'The Alpha Inn' (but changed to its actual name in the text displayed and read). I felt that there was another missed opportunity, as just over the way was Montague Street, where Holmes lived immediately on coming down from University, and first set up as a consulting detective.
"There are a few of us who frequent the [Alpha Inn], near the Museum"
The anti-penultimate and penultimate stops were both in Covent Garden, where Holmes and Watson first question a goose-dealer, and then apprehend the thief of the Countess of Morcar's precious stone.
"We passed through a zigzag of slums to Covent Garden Market."
"The game's up, Ryder. Hold up, man, or you'll be into the fire!"
Making my way down Southampton Street (no mention of it being the site of the offices of 'The Strand Magazine'), I came out onto the Strand (a short distance from 'Simpsons', a restaurant regularly visited by Holmes and Watson).
Walking down the Strand, and down some side streets, I arrived at the final stop, 'The Sherlock Holmes Public House', where I memorably celebrated my fortieth birthday. Here I listened to the final part of the story, set back at Baker Street (the pub has a recreation of the 221b study). Opposite was the site of Scotland Yard in Holmes' time.
"In half an hour we were back in the sitting-room at Baker Street."
So what was the final verdict ? - Some liberties taken with locations and the text, missed Sherlockian sites, and worse of all, Watsonian narration in a female voice. Maybe best suited to someone with less Sherlockian knowledge than myself.
[All quotations are from 'The Blue Carbuncle']
Thursday, 3 January 2019
My 2018 Awards - Part 3: Doctor Who
TV Episodes:
5) 'Kerblam!'
4) 'It Takes You Away'
3) 'The Woman Who Fell to Earth'
2) 'Resolution'
1) 'Rosa'.
Big Finish Audios:
5) 'The Seventh Doctor New Adventures Vol 1''
4) 'Serpent in the Silver Mask'
3) 'Red Planets'
2) 'UNIT: Cyber-Reality'
1) 'Hour of the Cybermen'.
Signing Events:
5) 'April Signing Spectacular' - St. Michaels Church Hall', Chiswick (Fantom Films)
4) 'Collectormania 2018' - NEC, Birmingham (Showmasters)
3) 'Whooverville 10' - Quad, Derby (Whoovers)
2) 'London Film & Comic Con 2018' - Olympia, London (Showmasters)
1) 'Big Finish Day 2018' - Quad, Derby (Whoovers)
5) 'Kerblam!'
4) 'It Takes You Away'
3) 'The Woman Who Fell to Earth'
2) 'Resolution'
1) 'Rosa'.
Big Finish Audios:
5) 'The Seventh Doctor New Adventures Vol 1''
4) 'Serpent in the Silver Mask'
3) 'Red Planets'
2) 'UNIT: Cyber-Reality'
1) 'Hour of the Cybermen'.
Signing Events:
5) 'April Signing Spectacular' - St. Michaels Church Hall', Chiswick (Fantom Films)
4) 'Collectormania 2018' - NEC, Birmingham (Showmasters)
3) 'Whooverville 10' - Quad, Derby (Whoovers)
2) 'London Film & Comic Con 2018' - Olympia, London (Showmasters)
1) 'Big Finish Day 2018' - Quad, Derby (Whoovers)
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