British Musicals: ‘Six’
(2017)
Book, Lyrics &
Music by Toby Marlow and Lucy Moss
History
‘Six’
is a musical by Toby Marlow and Lucy Moss, who met in the Cambridge
University Musical Theatre Society (CUMTS). The
society weary of annually haemorrhaging money at the Edinburgh Fringe
Festival on the rights of real musicals by real writers, decided to
write their own based on the idea of ‘the six wives of Henry VIII,
but like a pop group’. The show opened on the 2017 Edinburgh Fringe
to rave reviews, then a short tour, where at the ADC Theatre in
Cambridge, it was seen by composer, George Stiles (co-writer of many
of my favourite British Musicals, including ‘Betty Blue Eyes’,
‘The Wind in the Willows’, ‘Honk’ and ‘Soho Cinders’) who
became one of the show’s producers, helping them stave off
suggestions including adding Henry to the mix, adding more songs to
make 90 minutes rather than 75 minutes, and even adding a complete
second half. Stiles commented ‘It doesn’t want to expand. It’s
for the Netflix generation’. With supporters on board, the show
undertook a handful of sold-out workshop performances at the Arts
Theatre in London over Christmas 2017, then an opening
week at the Norwich Playhouse, a further (sold out) run at the
Edinburgh Fringe, before returning to the Arts Theatre for a short
run, then going on tour from November to December 2018, taking in
Kingston, Southampton, Salford, and Glasgow. It is then scheduled to
return to the Arts Theatre for a five month run in the New Year.
Story
Divorced, beheaded, died, divorced, beheaded, survived.
All this time
They’ve been just one word in a stupid rhyme
So they picked up a pen and a microphone
History’s about to get overthrown.
They’ve been just one word in a stupid rhyme
So they picked up a pen and a microphone
History’s about to get overthrown.
From Tudor Queens to
Pop Princesses, the six wives of Henry VIII take to the mic to tell
their tales, remixing five hundred years of ‘her-storical’
heartbreak into a 75-minute celebration of celebration of sisterly
sass-itude and 21st century girl power. These Queens may have green
sleeves but their lipstick is rebellious red.
In A Nutshell
‘Divorced, Beheaded,
LIVE !!!’ – The Ultimate Queen concert.
Production
I caught the first
night of the tour, from the front row of the Rose
Theatre, Kingston, which was packed. The lights went
down and the all female cast and band entered. Following a wonderful
opening number which started as ‘Greensleeves’, then morphed into
a riff on ‘Divorced, Beheaded, Died, Divorced, Beheaded, Survived’,
the plot began – a competition between the wives as to who had the
worst time, leading to six very different solo songs, with backing
from the other five. Each wife had their own Queenspiration –
Catherine of Aragon (Beyonce & Shakira), Anne Boleyn (Lily Allen
& Avril Lavigne), Jane Seymour (Adele & Sia), Anna of Cleeves
(Nicki Minaj & Rihanna), Katherine Howard (Ariana Grande &
Britney Spears), and Catherine Parr (Alicia Keys & Emeli Sande) –
meaning a good variety of pop styles, all with a live band. The
ending with the wives all singing together about how they are more
than just a rhyme was also amazing.
The cast – Jarneia
Richard-Noel (Catherine I), Millie O’Connell (Anne), Natalie Paris
(Jane), Alexia McIntosh (Anna), Aimie Atkinson (Katherine) and Maiya
Quansah-Breed (Catherine II) - were all amazing, as were their
costumes which were one-part fishnetted pop-star, one-part Tudor
Queen. The songs were all very witty, and when it was announced at
the end that an album was now available, there was a surge for the
merchandise stand.
Given the similar idea,
historical figures as a band, I found myself comparing it to ‘Wasted’
that I had seen a month before. However, ‘Six’ clearly emerged as
the winner, thanks partly to its brevity – 10 songs compared to 27
– but also to the standard of the songs and staging, meaning that
it at no point dragged, as ‘Wasted’ had in parts.
Highly, highly
recommended. Book for the West End run next year as soon as you can.
Six runs
at the Rose Theatre, Kingston until 4th November 2018. It then tours
to NST Southampton (13/11/18-17/11/18), The Lowry Salford Quays
(04/12/18-16/12/18), and the SEC Glasgow (20/12/18-30/12/18), before
re-opening at the Arts
Theatre London on 16th January 2019, with performances
until 5th May 2019.
Favourite Song
No contest – the Lily Allenesque ‘Don’t Lose UR Head’, sung by Anne Boleyn.
Did I Buy The Cast Recording ?
Yes, on download as soon as I got home.
Links
Production Website:
https://www.sixthemusical.com/
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