Tuesday 31 December 2019

My 2019 Awards - Part Two: Theatre & Film

Musicals:
5) 'Waitress' – Adelphi Theatre, London
4) 'Mary Poppins' – Prince Edward Theatre, London
3) 'The Man of La Mancha' – London Colliseum
2) 'Club Tropicana – The Musical' – Wimbledon Theatre
1) 'The Secret Diary of Adrian Mole' - Ambassadors Theatre, London


(Honourable Mention: 'Fame – The Musical' - Wimbledon Theatre; Dishonourable Mention: 'Hair' – Wimbledon Theatre)



Comedy:
4) 'Jasper Carrott & Alistair McGowan' - Phoenix Concert Hall, Fairfield Halls, Croydon
3) 'Frisky & Mannish: Pop Lab' – Myers Studio, Epsom
2) 'Flo & Joan' – Time and Leisure Studio Theatre, Wimbledon
1) 'Milton Jones' – The Station, Stoneleigh




Classic Comedy Recreations:
4) 'Goodbye: The (After)Life of Cook & Moore' – Dingwalls, Camden
3) 'Christmas With Steptoe & Son' – Museum of Comedy, London
2) 'Benidorm: LIVE' - Wimbledon Theatre
1) 'Hancock's Half Hour' – Epsom Playhouse



Magic:
5) 'Pete Firman & The Amazing TBC' – Pleasance Theatre, Islington
4) 'Pete Firman: Marvels' – Time and Leisure Studio Theatre, Wimbledon
3) 'Ehrlich Brothers' – Wembley Arena
2) 'David Blaine: Real or Magic' – Eventim Apollo, Hammersmith
1) 'The Illusionists' – Shaftesbury Theatre, London



(Honourable Mention: 'Tom Brace: Brace of Spades' – Pleasance Theatre)



Plays:

10) 'The Falcon's Malteser' – The Vaults, Waterloo
  9) 'The Price' – Wyndhams Theatre
  8) 'A Christmas Carol' – The Old Vic
  7) 'Groan Ups' -Vaudeville Theatre, London
  6) 'The Firm' – Hampstead Theatre
  5) 'Present Laughter' – The Old Vic
  4) 'Dark Sublime' – Trafalgar Studios
  3) 'Dracula: One Bloody Fang After Another' – Museum of Comedy, London
  2) 'The Man in the White Suit' – Wyndhams Theatre
  1) 'Harry Potter & The Cursed Child – Parts 1 & 2' – Palace Theatre, London


(Honourable Mentions: 'A Slight Ache/The Dumb Waiter' – Harold Pinter Theatre & 'The House on Cold Hill' – Richmond Theatre; Dishonourable Mention: 'Art' – Richmond Theatre)




Pantomimes:

4) 'Cinderella' - Wimbledon Theatre
3) 'Snow White' – London Palladium
2) 'Cinderella' - Phoenix Concert Hall, Fairfield Halls, Croydon
1) 'Goldilocks and the Three Bears' – London Palladium




Films:

10) 'Captain Marvel'
  9) 'Yesterday'
  8) 'Judy'
  7) 'Blinded by the Light'
  6) 'Spider-Man: Far From Home'
  5) 'Toy Story 4'
  4) 'Shazam !'
  3) 'Knives Out'
  2) 'Avengers: Endgame'
  1) 'Star Wars: The Rise of Skywalker'


(Honourable Mentions: 'Pokemon: Detective Pikachu' and 'The Kid Who Would Be King'; Dishonourable Mentions: 'Ad Astra' and 'X-Men: Dark Phoenix')

PANTOMIME REVIEW: ‘Cinderella’ – New Wimbledon Theatre (30/12/2019)


I've been going to see the Wimbledon Theatre panto since 1981 without missing a single year. So was this year's a classic year ? Unfortunately not. Despite the best efforts of comedy magician, Pete Firman (returning from his successful appearance in the previous year's 'Aladdin' with Paul Merton), it all fell a little flat. One of the four stars, Pussycat Doll Melody Thornton, did not appear at the performance I attended, with the part of Cinderella being taken by her understudy, Stephanie Elstob (who probably gave a more 'musical theatre' performance than Melody probably would have)   [I assume that Ms. Thornton was ill, but given her egotistical write-up in the programme (seemingly justifying her refusal to be part of the reunited Dolls), she may have considered that it was all beneath her].

As Fairy Godmother, Lesley Garrett made a lot of opera puns and shook the rafters with her operatic take on ' The Impossible Dream', but also seemed to struggle with the script (popping up in the Ball scene to remind Cinders of the midnight curfew that she had failed to mention in Act One). As the evil Stepmother, Samantha Womack seemed to be on autopilot, desperate to get to the end, and not really evil, save in the invitation-ripping scene. I also got fed up with her constant flapping of her paso-doble style skirt. She also took a lot of the focus away from the Sisters, Verruca and Hernia (Leon Craig & Bobby Delaney), and as in the Croydon production I would have preferred a Baron Hardup. Prince Charming (Edward Chitticks) was very good, but kept having his limelight stolen by his camp Dandini (Will Jennings).

Pete Firman was excellent throughout, particularly when doing his magic and in the song-sheet. However, a sentimental duet with a teddy bear left me cold. There was also the lack of a full-cast song such as 'The Twelve Days of Christmas' or 'If I Was Not Upon The Stage'. I did enjoy their version of 'the Bush of Truth' though, and the cleverly rewritten versions of 'Achy Breaky Heart', 'The Shape of You' and 'I Will Survive'.




I know I went to see this late in the run, but I expected more: ***


Monday 30 December 2019

My 2019 Awards - Part One: Sherlock Holmes

SH Theatrical Productions

8) 'The Trial of Sherlock Holmes' – Milestone Centre, Reading
7) 'A Scandal in Bohemia!' - Camden People's Theatre
6) 'The Hound of the Baskervilles' – Drayton Arms Theatre
5) 'Life After Sherlock' – Electric Theatre, Guildford
4) 'A Double Helping of Sherlock' – Trinity Church Theatre, Portsmouth
3) 'Strictly Sherlock' – Tea House Theatre, Vauxhall
2) 'The Hound of the Baskervilles' – Abney Park Cemetery, Stoke Newington
1) 'Sherlock Holmes and the Vampyres of London' – Coulsdon Community Centre


(Honourable Mention: 'Ian McKellen on Stage' – Harold Pinter Theatre, London  [No 'Mr. Holmes' anecdotes]; Dishonourable Mention: 'Alan Barnes: The Sherlock Holmes Suite' – The Other Palace, London [proving I'm not a Jazz fan])



SH Celebrities Met

5) Vinette Robinson (Sgt. Sally Donovan in 'Sherlock')
4) Eddie Marson (Lestrade in 'Sherlock Holmes' & 'Sherlock Holmes: Game of Shadows')
3) Larry Albert (American actor who has played Dr. Watson in over 200 radio plays)
2) Jay Simpson (Wiggins in 'The Baker Street Boys')
1) Sophie Ward (Elizabeth in 'Young Sherlock Holmes')



(Honourable Mention: Roy Hudd [Holmes in 'The Newly Discovered Casebook of SH'])



Sherlockian Sojourns








'Elementary' Episodes    [the Final Series]

5) 'The Price of Admission'  (7.3)
4) 'Miss Understood'   (7.8)
3) ' The Further Adventures  (7.1)
2) 'Reichenbach Fails'  (7.12)
1) 'The Last Bow' (7.13)


Thursday 19 December 2019

PANTOMIME REVIEW: ‘Goldilocks & The Three Bears’ – London Palladium (18/12/2019)


The gang’s all here again – Julian Clary, Paul Zerdin, Gary Wilmot and Nigel Havers – for a take on a panto story I’ve only ever seen once before, at Wimbledon Theatre in 1991. Joining them for the ride this time were Paul O’Grady (who also appeared in the first new Palladium panto in 2016), ‘cheery Northerner One-Show presenter’ (Julian’s description) Matt Baker, ‘Benidorm’ star Janine Duvitski, and West End stars Sophie Isaacs and Lauren Stroud.

Reviews that I had caught prior to going highlighted the production, set in a circus, as being more of a variety show than a panto, and to some extent I agree with this, with the script by director Michael Harrison and QDOS panto writer extraordinaire Alan McHugh, being very limited and just filling gaps between material created by the individual acts. As well as the stars there were three speciality acts – The Skating Medinis (a roller-skating duo), Peter Pavlov and the Globe of Speed (four motorcyclists all riding around a metal globe at the same time) and magician Phil Hitchcock (restyled ‘The Great Mysterioso’). The first two were very impressive, but each appeared once and for less than ten minutes. I must admit being underwhelmed by Phil Hitchcock who I had not previously heard of, and whose claims in the programme to be bringing something special proved to be unfounded, as he simply went through a couple of ‘classics of magic’, including a dove act that was more 1919 than 2019, and drew attention away from Sophie’s big song.

As ever the star was Julian Clary, whose role as ‘Ringmaster’ meant that his double-entendres almost wrote themselves, and allowed for ever more impressive costumes. He also had a Musical Theatre star (in the form of Sophie) to mock, alongside his usual mockery of poor Nigel Havers. Paul O’Grady was playing the villain of the piece, Baron Von Savage (a German cousin of Lily), the owner of the rival circus, the Circus of Nightmares. A highlight was the scene in Act 2 where he and Julian seemed to be attempting to see who could get away with being the most filthy.

Gary Wilmot’s Dame is rare in pantoland in that given that Julian deals with the innuendo and outrageous costumes, she is a nurturing mother figure rather than the usual grotesque. At this point, I must applaud Gary’s latest patter-song, written by himself, and featuring snatches of songs from almost every musical ever written, all perfectly running into each other through shared words. (In the two previous years he gave us ‘Names of All London Underground Stations’ to the tune of 'The CanCan' and ‘Stars of the Palladium, to the tune of ‘The Major-General's Song’ from ‘The Pirates of Penzance’ by Gilbert and Sullivan, a la Tom Lehrer’s ‘The Elements’). Paul Zerdin was also very good as Silly Billy, even if a lot of the material was familiar from the three previous Palladium pantos, but it was good to see his other puppet, Baby, also getting an airing, alongside Sam.

Janine Duvitski made the most of the underwritten role of Mummy Bear, which was basically Jacqueline from ‘Benidorm’ in a bear costume, with Nigel Havers’ Daddy Bear getting much of the adulation, particularly when he made a Prince Andrew joke about how much he was sweating in the costume. The trio was rounded off by Lauren Stroud (‘Strictly Ballroom – The Musical’) playing Baby Bear, who still managed to tap dance in her bear suit. Sophie Isaacs (‘Heathers – The Musical’ & ‘Cruel Intentions – The Musical’) was also excellent, but despite being the title character had surprisingly little to do.

I have left Matt Baker to last as he was the revelation for me, displaying multiple circus skills as Joey the Clown, unicycling, juggling, pratfalling, and at the end of Act One tightrope walking. He also had a reasonable singing voice, making him a shoo-in if any producer is planning a tour of ‘Barnum’ (a song from which, along with some from ‘The Greatest Showman’, also featured, with slightly tweaked lyrics). There was also an excellent ‘If I were not upon the stage….’ In which Matt again impressed (whilst dressed in a mankini !).

So, all in all, another excellent Palladium panto. The only issue being ‘Is this family friendly entertainment ?’ Yes, most of Julian’s jokes went over the children’s heads, but this left the children in the row behind me confused why all the adults were laughing, leading to some very awkward discussions in the interval.



Another triumph ! **** for adults *** for children


PANTOMIME REVIEW: ‘Cinderella’ – Phoenix Concert Hall, Fairfield Halls, Croydon (13/12/2019)


The newly re-opened Fairfield Halls offered ‘Cinderella’ in its Concert Hall rather than the usual Ashcroft Theatre. This meant that as there was no curtain, all the scenery was back-projected, something that worked very well.

The main draw for me in relation to this production was Tim Vine as Buttons, and his punning style suited the part perfectly. He also drew attention to the fact that he was quite a bit older than the Cinderella that he was in love with, and the ever-present staircase even in scenes in the forest. The other two main stars were Strictly winner, Ore Oduba, and CBeebies star, Cat Sandion. At the performance I saw, Ore did not get off to a good start having lost his ear-mic backstage, and so much of his early dialogue with the Prince (Croydon local, James Bisp) was inaudible. It was not until halfway through their musical number that a member of the ensemble dashed on with a hand-held microphone (to a huge cheer from the auditorium). Having found his ear-mic for his next entrance, he seemed to settle down, even if his part was mainly limited to showing off his dancing skills. Cat was underused, coming on for a prologue, and then having to wait until almost the end of Act 1 to meet Cinderella in the forest, and then a short time later, magic up the coach and dress. However, she did appear once more at the denouement to help free Cinders from the cellar.

Playing Cinderella, Grace Chapman, gave us an excellent Principal Girl, but with less relying on others to ‘fight her battles’ in this post ‘#MeToo’ age. Her singing voice, mainly in duets with the Prince, was also excellent. In this production, she had three villains to contend with - as well as her Ugly Step-Sisters, Tess (Jason Marc-Williams) and Claudia (Alistair Barron), she also had to deal with the brains of the outfit, her wicked American Step-Mother, the Baroness (Katie Cameron).

The script by Will Brenton was excellent, including some jokes that I had never heard before. Several old favourites were present and correct – the ghost bench routine, ‘The Twelve Days of Christmas’ (which had a witty alternative to the ‘bra made to hold three’, and in which whilst everyone else ran about madly, Tim Vine managed to stand absolutely still), and the Song-Sheet featuring Tim Vine’s ‘Deep’ song.



Highly recommended. ****


Monday 30 September 2019

THEATRE REVIEW: ‘The Hound of the Baskervilles’ – Abney Park Cemetery (09 Lives)


THEATRE REVIEW: ‘The Hound of the Baskervilles’ – Abney Park Cemetery (09 Lives)


A production of HOUND, in a Victorian graveyard…at night.










Described as “an eerie installation of sound, light and mystery”, this immersive promenade performance was certainly one of the best of the forty or so versions of the story that I have seen on stage and screen or heard on audio.

The venue, Abney Park Cemetery in Stoke Newington, was opened in 1840 and was formed from the estates of Fleetwood House and Abney House, the latter of which had been the home of renowned non-conformist and hymn writer Isaac Watts. This association quickly made Abney the foremost burial ground for Dissenters – those practising their religion outside the established church. 

Finding the cemetery with seconds to spare (Google Maps sending me towards the wrong gate), I joined a large group which was being given a safety briefing. Volunteers with torches would be accompanying us around the cemetery, with writer-director, Lil Warren, in the person of Cartwright, helping corral us around the site. Our narrator, Conan Doyle (Angus Chisholm) then made himself known, and we moved to the first stop, where we just in time to see Sir Charles Baskerville run past us in a fit of panic.

Next up was Baker Street, brilliantly conveyed by a rug and a sofa, and our first meeting with Holmes (Giorgio Galassi) and Watson (Gary Cain). They were soon joined by Doctor Mortimer (Dan de la Mott) and Sir Henry Baskerville (Andrew Phipps), the legend of the Hound was relayed, and then we were all moved down a path to the sound of first a puffing steam engine and then a horse-drawn trap, until finally we reached the production’s secret weapon - the oldest surviving non-denominational chapel in Europe, which was standing in for Baskerville Hall. The chapel designed by William Hosking FSA (1800 - 1861) was built in the 1840s, and its Gothic architecture perfectly represented Sir Henry’s ancestral home. The image of Barrymore the butler (Galassi again, in a black beard) standing in the entrance waiting for his new master is one that will remain with me. Moving inside ‘The Hall’, we met Mrs. Barrymore (Sarah Warren).

The production rattled along at a fine pace with moves between performance areas skilfully handled. We were introduced to Stapleton (who it took me several minutes to realise was being played by Dan de la Mott, so different did he look and sound to Dr. Mortimer), and his sister Beryl (Sarah Warren again). The soundscape both in the performance areas and on the walks between, added to the atmosphere, with even a slight drizzle of rain not affecting the enjoyment. Standing in a pitch black graveyard and hearing the cry of the Hound was most certainly a thrilling experience. They also took the sensible decision to not present us with the hound itself, only a light in the distance. Doyle’s narration allowed the elimination of unnecessary scenes (and meant that Sarah Warren didn’t need to give us her Laura Lyons). There was also excellent banter between our two guides, Doyle and Cartwright, only some of which seemed scripted. After ninety minutes of thrilling action, it was time for bows in ‘The Hall’ and for us to make our way back to the main gates and home.


I caught the final performance (29/09/2019), but I can recommend any future 09 Lives/Abney Park productions (I notice that they did Robin Hood last year – but in the light).


Rating:    (5/5)

Sunday 29 September 2019

Sherlockian Sojourns - Special #3: Practices Make Perfect

In October 1876, Conan Doyle entered the Medical School at Edinburgh University. Seeking to make the most of the long recess at the end of each academic year, and following the birth of his youngest sister, Dodo,  meaning that his family was in financial difficulties, in 1878 Conan Doyle advertised for a temporary opening as a doctor's assistant. He undertook two such placements in 1878 and one in 1879. (In 1880, he took the decision to become surgeon on the whaling ship 'Hope' sailing from Peterhead).

Over the past year I have visited all three practices where Conan Doyle worked as an assistant. For ease, I have placed my accounts in the order that the placements were undertaken by Conan Doyle, rather than the order of my visits.



07/09/2019 - 86 Spital Hill, Sheffield, Yorkshire.

Conan Doyle's first placement was in April 1878, when he was taken on by Dr Charles Sydney Richardson, an Irishman who had done part of his training in Edinburgh, and now worked as a general practitioner on Spital Hill, an inner-city area of Sheffield. It seems that Conan Doyle did not get along with Dr Richardson or Sheffield patients, and he left after three weeks, glossing over a serious clash of personalities, blaming his youth, later writing:'These Sheffielders would rather be poisoned by a man with a beard than saved by a man without one.'

He did at least appear to have ventured out of the city into the Peak District, where his memory of the eerie limestone caves in the Penine hills later provided material for one of his most spine-chilling stories – 'The Terror of Blue John Gap'.

The site of the practice was a building on the corner of Spital Hill and Hallcar Street, which is now the New Roots Café and Burngreave Ashram. I visited the building as the last stop on a tour of locations used in Series 11 of 'Doctor Who', carried out with a friend. 
 






27/09/2019 – Cliffe House, Big Walls, Ruyton-XI-Towns, Shrewsbury.

Having left Sheffield, Conan Doyle was resigned to returning to Edinburgh and taking a lowly, but salaried job as a hospital dresser. However, at the last minute, he was offered a temporary position with another former Edinburgh graduate, Dr. Henry Elliott, who had a general practice in the exotic-sounding village of Ruyton-XI-Towns, in Shropshire (eleven miles outside Shrewsbury). He began this job in July 1878, living in Cliffe House. He later recalled Ruyton in his 'Memories and Recollections' (1923) as:

not big enough to make one town, far less eleven".

However, he again had problems with his employer, a man in his thirties, who turned out to be coarse and bad tempered. Elliott exploded when his young assistant dared argue against capital punishment, saying that he would not have such things said in his house. Conan Doyle calmly replied that he had a right to voice his opinions when and where he wanted, and it would seem that during his time with Dr. Elliott, he discovered an ability to stand up for himself, and his self-esteem grew appreciably. However, he spent only four months in this position, returning to his studies in Edinburgh in October 1878.

I made my pilgrimage following several days visiting Cardiff, Southerndown, Monmouth and Hay-on-Wye, catching a bus from Shrewsbury. Due to a lack of regular buses, I chose to get off at a stop just inside the village, and walk to Cliffe House. The first point of interest that I passed was the parish's World War I war memorial, which is an 8ft carved cave within the sandstone cliff of the Brownhill, and is unique to Shropshire. It was conceived by the London architect Stanley Vaughan after a visit to Ruyton. It was created by local father-and-son stonemasons Warwick and Len Edwards. The benches within the arch and the cross are all carved out of rock. The memorial was unveiled in October 1920. The names of fallen from both the First and Second World Wars are listed on plaques within the archway.




Continuing along, and passing the parish churchyard, after about a further fifteen minutes, I found myself at Cliffe House. Unfortunately, at this point the heavens opened, and I had to shelter under my umbrella. The house is now a private residence, but as the gates to the drive were open, I took my chance to rush up it, take a few photos of the house, then rush back down again.







Walking further on, I reached The Cross, sensibly at a crossroads. This gave some of the history of the town, and also indicated that it had been named in the Domesday Book. The village acquired its unusual name in the twelfth century when a castle was built, and it became the major manor of eleven local townships, leading to the Roman numerals for eleven being included in its name. The eleven were Ruyton, Coton, Shotatton, Eardiston, Wykey and Shelvock (a possible source for a certain detective’s first name) which remain in the parish; and Felton, Haughton, Rednal, Sutton and Tedsmore, which are now in the parish of West Felton. 
 
 
 
 

I decided to retrace my steps to the original bus stop as it was the only one with a shelter. On the way back, I decided to pop into the churchyard. Parts of the parish church date from the 1130s. Lying in the Welsh Marches, Ruyton castle was destroyed in 1202 by the Welsh. It was rebuilt by 1313 but was destroyed again by Owain Glyndwr. Its ruins stand in the churchyard.



Catching a bus back into Shrewsbury, I spent the rest of the morning touring Shrewsbury Prison (near the site of the Dana Gaol, a medieval prison), decommissioned in 2013, and undertaking some of the Charles Darwin town trail, Shrewsbury being his birthplace, before catching a train to Coventry where I was to attend Coventry Comic Con the next day.


 








01/06/2019 - 63 Aston Road North, Birmingham, West Midlands.

In May 1879, Conan Doyle was ready for a further period of hands-on medicine as an assistant to Dr. Reginald Ratcliff Hoare in the Midlands. Conan Doyle had hoped that Dr. Hoare's surgery, Clifton House in Aston Road North, Birmingham, would be located in a semi-rural suburb, but was instead on a busy thoroughfare, with tramlines and shops on either side. However, this was an eye-opener for Conan Doyle as he saw for himself that an inner-city general practice could be a lucrative business, with Dr. Hoare earning £3,000 per year. Conan Doyle is also said to have become friends with one of the first surgeons in charge of the Thimble Lane dispensary (a branch of the main city one), whose name was David Holmes (possibly inspiring a certain detective's surname). It was also around this time that he sold his first story to Chambers Journal - 'The Mystery of Sasassa Valley'.

I visited Aston Road North, which has a plaque commemorating its previous occupant, following attending Collectormania 2019 at NEC Birmingham (where I had met Vernon Dobtcheff who has played Holmes, and bought some very unofficial 'Sherlock' miniatures). Catching a train from Birmingham International to Birmingham New Street, I undertook the half-hour walk to the site of the former practice, finding it difficult to negotiate the 'busy thoroughfare' to reach my destination. 




Photos taken of the building, and I retraced my steps, catching the train back to Birmingham International and then home.

Sunday 25 August 2019

Sherlockian Sojourns #21: Cambridge

The location of the University attended by Holmes is a cause of great Sherlockian debate, with the only agreement seeming to be that it was either Oxford or Cambridge (or in the case of noted Sherlockian, William S. Baring-Gould both). The location of both the University in 'The Three Students' and the University named 'Camford' by Watson in 'The Creeping Man' are again up for debate. However, one adventure that definitely takes place in Cambridge is 'The Missing Three-Quarter' in which Holmes is engaged to find a missing Cambridge University Varsity Rugby player before the annual Oxford-Cambridge grudge match. My jaunt to the city (having been many years before to visit locations from the unfinished 'Doctor Who' story 'Shada') was in aid of the Cambridge Comic Con, which had originally offered Robert Maillet ('Dredger' in Guy Richie's 'Sherlock Holmes'), but who had cancelled, being replaced by 'Sherlock' guest star, Clive Mantle  (Bob Frankland in 'The Hounds of Baskerville').

Arriving at the station as Holmes and Watson would have, I made my way the short distance to Cambridge Junction, location for the convention.



Having browsed the stalls and got an autograph from Elen Thomas (Female Auton/Female Clockwork Robot/Weeping Angel), I made my way to the photo area, where I waited and waited for Clive Mantle, who it seemed they had forgotten to pick up from his signing table. Finally the steward outside the photo area made a few calls, and around ten minutes later Clive arrived.
Having introduced himself, Clive asked, "Is it for 'Game of Thrones' that you wanted a photo ?"
"Sherlock".
"Did we meet at the 'Sherlocked' event ?".
"Yes"
Asking where I lived, Clive revealed that his brother used to own a nearby solicitors.
Photo taken, and I made my way out into Cambridge to visit other 'Missing Three-Quarter' locations.


My first port of call was the training ground for Cambridge University Rugby Club, where the missing player, Godfrey Staunton would have trained, alongside his skipper, Cyril Overton.

 

Making my way through across a park, I reached Trinity College, the college attended by Overton, and also by Jeremy Dixon, owner of Pompey, a squat, lop-eared, white-and-tan dog who assisted Holmes and Watson in finally locating the missing Staunton.

 

Next it was a brief walk to Gonville and Caius College, identified by Baring-Gould as Holmes' Cambridge college.


It was then back to the Station, via a branch of Forbidden Planet, and home, having completed my second East Anglian sojourn of the month.