Showing posts with label novels. Show all posts
Showing posts with label novels. Show all posts

Tuesday, 2 June 2026

Sherlockian Sojourns #86: 'The Brave Berkshires'

It was a Bank Holiday, and time for another Sojourn. Making my way to Clapham Junction Station, from here it was an hour’s journey to my first port of call, Basingstoke in Hampshire. From the station it was a twenty-five minute walk to Milestones Museum, a heritage centre that recreates Victorian and 1930s streets and shops. I had visited almost a year before when they had had hosted a Half Term family mystery trail around the Victorian streets - 'Sherlock Holmes: The Adventure of the Emperor's Gold'. A year later, and again for Half Term, they were hosting a similar trail - 'Sherlock Holmes and the Missing Thornycroft Blueprint'. Even better, each entrance ticket lasts for a year, so I was able to re-use the previous year’s one. 

 

The previous year I had to all but beg for a trail booklet (being told that they were meant for children), but this year everyone young and old was being directed to meet a female ‘Mycroft’ downstairs to take part in the trail. Having been given my booklet and a pencil to complete, I walked to the first location, from which a blueprint had been stolen. There were questions at each location to identify more about how the crime was undertaken, which suspects could be discounted by items left at each location, eg. a red thread (the suspects remained the same as the previous year, but the perpetrator of this new crime was different), and a clue as to which location to go to next. There were also puzzles at each location (an addition this year) which allowed the name of the ship on which the perpetrator was fleeing justice to be identified, and additional information boards relating clues to canonical stories. It took me around forty minutes to complete my booklet, with the final puzzle which involved a lamp flashing in Morse Code being more complex than it needed to be, due to it being unclear when the letter started and ended  (luckily having five of the six letters indicated the most likely remaining letter, which proved to be correct). 

      
 

Having identified the perpetrator and ship, I had to go to a ‘Telegraph Office’ where I sent the ship’s call-sign by Morse-tapper, receiving a telegram from Holmes and a sticker once my correct answers had been confirmed.

 

Making my way back to Basingstoke Station, I had just enough time to grab some lunch from a nearby supermarket before catching a train whose air-conditioning had broken down for a forty-minute trip to Salisbury. From here it was a fifteen minute walk to Choristers Square, just next to the Cathedral, and The Rifles Berkshire and Wiltshire Museum, a public museum for the exhibition to the public, of documents, artefacts and other items connected with The Duke of Edinburgh’s Royal Regiment (Berkshire and Wiltshire) and its successor regiment, The Royal Gloucestershire, Berkshire and Wiltshire Light Infantry. 

   

The museum includes a section on the Battle of Maiwand, one of the principal battles of the Second Anglo-Afghan War. The battle ended in defeat for the British Army and victory for the Afghan followers of Ayub Khan. It was in this battle that Doctor John Watson received his war wound (whether that be in his arm or leg), and was thrown across a packhorse by Murray, his orderly, who succeeded in bringing him safely to the British lines, as outlined in ‘A Study in Scarlet’ [STUD].

“I was removed from my brigade and attached to the Berkshires, with whom I served at the fatal battle of Maiwand” – Dr John H. Watson [STUD]

However, Watson could not have joined the Fifth Fusiliers at Kandahar, as outlined by him in the opening of STUD, because the regiment was never stationed there. They were part of the Peshawar Valley Field Force employed in the Khyber Pass, the Bazar Valley, Landi Kotal and Jalalabad – all in the northern territories. It is more feasible for him to have joined up with the 66th (Berkshire) Regiment whilst at Bombay, although this would have meant that he did not make it into Afghanistan until over a year later, as they marched into the southern city of Kandahar early in 1880. There was also no ‘Murray’ attached to the 66th, whereas the Fifth Fusiliers did have a Private J. Murray. Hence my attending this museum to mirror my earlier sojourn to the Fusiliers Museum of Northumberland  (see here for full write-up).

The entrance hall included a large copy of “Last Stand of the ‘Eleven’ at the Battle of Maiwand” on two banners, along with a quote from William McGonagall’s poem, ‘The Last Berkshire Eleven’.


 Giving a donation for entry, I made my way into the museum, and the ‘Battle of Maiwand’ display case which included uniforms, a pocket watch, medals, the regimental mascot Bobbie (also wounded at Maiwand) and even Jezail Afghan matchlock muskets (a bullet from one of these led to Watson being invalided out).

  

There was also mention of the medical officer for the 66th Regiment, Surgeon-Major Alexander Francis Preston, who was present at Maiwand, who shortly after the action commenced, suffered his own war wound, a bullet passed through his back, fortunately missing the spine. He was then lying on a duli (a covered stretcher) when the native duli-bearers took it up and commenced running off with him as fast as they could go, shouting as they ran along that the Ghazis were on them. The similarities between Preston and Watson are plain to see – both were surgeons with the Berkshires; both were severely wounded, albeit in different parts of the body; and both had to be rescued from the murderous enemy on the battlefield by orderlies, either native or British.

I then went round the rest of the museum, which had a focus on the two World Wars, and ended with displays relating to more recent military action featuring the Berkshires, and spent a wonderful ten minutes in the sunny garden behind. There was also a dress-up section including a Deerstalker, but unfortunately they were all in children's sizes. Purchasing a ‘Royal Berkshires’ lapel pin, I made my way back onto Choristers Close. 

  

Having wasted some time browsing the shops in Salisbury, I made my way back to the Station, where there proved to be problems with the trains. I managed to make it back to Basingstoke after a short wait, but then spent over an hour on the platform there waiting for a repeatedly delayed train back to Clapham Junction, which when it arrived took its time between Raynes Park and Clapham Junction. Eventually I alighted, catching a train home within around fifteen minutes.

Wednesday, 20 May 2026

THEATRE REVIEW: ‘Sherlock Holmes' (Regents Park Open Air Theatre)

THEATRE REVIEW: ‘Sherlock Holmes’

Written by Joel Horwood, Directed by Sean Holmes.

(Regents Park Open Air Theatre) 

 

‘One day in early spring Holmes had so far relaxed as to go for a walk with me in [Regents] Park, where the first faint shoots of green were breaking out upon the elms, and the sticky spear-heads of the chestnuts were just beginning to burst into their five-fold leaves’.  [YELL]

 

Being performed less than a ten minute walk away from Baker Street and the Sherlock Holmes Museum, at the Regents Park Open Air Theatre, this play was described in the pre-publicity as a ‘new adventure’ by Joel Horwood who wrote the critically acclaimed stage adaptation of Neil Gaiman’s 'The Ocean at the End of the Lane’, this was only partially true. Act One was the second adaptation of ‘The Sign of Four’ that I had seen in the space of a month (albeit with some elements of one of my favourite short stories, ‘The Bruce-Partington Plans’, and more than a little anti-British Empire/ colonial social commentary). Act Two took the story off in a new direction (concluding ‘TBPP’) leading up to both a Reichenbach moment and a grand revelation that was written with the smugness of a writer who has never seen ‘The Crucifer of Blood’ another SIGN stage adaptation and thinks that they have come up with a unique ending. (That said, this production does take it one stage further, with another revelatory twist that half the audience seemed to be muttering along with the actors). A running joke about animals having been released from the Regents Park zoo (leading to a Lion riding a bike in the background at one point) was also stretched to capacity.

However, the main performances were very good with Joshua James’ Holmes (introduced in a RDJ-style boxing scene) walking the line between being maddening and impressively intelligent, and Jyuddah Jaymes’ black Watson and Nadi Kemp-Sayfi’s mixed-race Mary adding to the anti-Empire sentiment. Marcia Lecky’s Mrs. Hudson was under-used, and Mervin Noronha’s Tonga (no longer either a Pygmy or a savage) was an excellent dancer and second-half antagonist. The ensemble were also excellent, particularly in the opening Agra Fort scene and in a circus scene.

It was possibly a little long, particularly on what turned out to be a very cold May night, but I enjoyed the performance, and purchased both a poster and a postcard as well as a programme.

‘Sherlock Holmes’ runs at the Regents Park Open Air Theatre until 6th June 2026.

  


Dramatic Score: 7½/10

Rating:  (4/5)     


Monday, 26 January 2026

A Novel Adaptation - 2025 Update

Previously in this blog, I have pitted the various dramatisations of the four Sherlock Holmes novels – ‘A Study in Scarlet’, ‘The Sign of Four’, ‘The Hound of the Baskervilles’ and ‘The Valley of Fear’ – against each other by medium. I then posted an update for 2021-2024 at the start of 2025, when I had experienced ten more such dramatisations, and this is my update for 2025 – with just two to add to the total.

 

‘A STUDY IN SCARLET’

Two further ‘STUDY’s. The first being the first episode of ‘The Fantastic Adventures of Sherlock Holmes’, a Canadian audio drama series starring Anthony D.P. Mann as Sherlock Holmes and Terry Wade as Dr. Watson, reprising their roles from the 2011 film 'Sherlock Holmes and the Shadow Watchers’. This abridges the story into an 18 minute episode, leading to the case being solved almost as soon as it started.

The second was the first part of ‘Ms. Holmes & Ms. Watson – Apt. 2B’, a comedic play which describes itself as ‘reimagining Holmes and Watson as a fiercely funny, gloriously dysfunctional female duo navigating post-pandemic London with sharp wits and banter’. This initially took a reasonably faithful retread of the story (albeit updated) with Enoch Drebber’s body being found in a hotel room rather than an empty house, but when it came to revealing the culprit, went off in an unexpected direction with the crime being committed by a different person, for a different reason, and in a different way.

Two men standing in a street

AI-generated content may be incorrect.    A poster with a face and hat

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Click here for up-to-date dramatisations list.

 

‘THE SIGN OF FOUR’

No further dramatisations.

Click here for up-to-date dramatisations list.

 

‘THE HOUND OF THE BASKERVILLES’

Surprisingly, no further ‘HOUND’s this year.

Click here for up-to-date dramatisations list.

 

‘THE VALLEY OF FEAR’

No further dramatisations.

Click here for up-to-date dramatisations list.

 

My favourites across each media remain the same as in my previous posts.

Wednesday, 10 December 2025

THEATRE REVIEW: Ms. Holmes & Ms. Watson – Apt. 2B

THEATRE REVIEW: Ms. Holmes & Ms. Watson – Apt. 2B


Written by Kate Hamill,
Directed by Sean Turner.
  



 

The writer of this play, actor-playwright Kate Hamill, was one of the most-produced playwrights in America from 2017-2023, and tied for the honour of the most-produced playwright in America for 2024/25. From the adverts that have been popping up on my Facebook page, a large proportion of this has been professional and amateur US productions of this comedic play which describes itself as ‘reimagining Holmes and Watson as a fiercely funny, gloriously dysfunctional female duo navigating post-pandemic London with sharp wits and banter’. Having finally made its way over the Atlantic to the Arcola Theatre in Dalston, I booked a ticket. (Unfortunately, the performance that I had originally booked was cancelled due to cast sickness fifteen minutes before curtain up, so I had to return just under a week later).

Taking my seat in a half-full theatre, I was slightly concerned, having avoided all reviews, but following a rather contrived prologue (which in my view slightly took away the drama of Holmes’ first exit), I found myself thoroughly enjoying the first meeting between Sherlock and Joan (the latter’s ‘Doctor’ status being a point of discussion) in the Baker Street apartment. The first half was a reimagining of ‘A Study in Scarlet’ leading into ‘A Scandal in Bohemia’, with the arrival of Irene Adler (reinvented as a sex worker) to the apartment being the cue for the interval. The second half completed SCAN, before going its own way to a denouement, which was followed by a final scene that took us as the audience by surprise, having clapped at the blackout after the denouement.

Save a few times when Americanisms crept into a play allegedly set in London (even the title should probably be ‘- Flat 2B’), I enjoyed Hamill’s script. Lucy Farrett was wonderful as Holmes, with just the right amount of nervous energy and with strong support from Simona Brown as Watson. Alice Lucy was a vampish Irene (and a Scottish Mrs. Hudson) who sizzled in scenes with Farrett, and Tendai Humphrey Sitima made the best of some underwritten characters. The set was also very impressive, mainly as the apartment, but also as other locations, achieved by way of simple set dressing and lighting changes.

An enjoyable night out.


Dramatic Score: 9/10


Rating:  (4/5)