Sunday, 20 May 2018

REVIEW: Sherlock Gnomes (2018)


   Sherlock Gnomes (2018)










I have been looking forward to this sequel to 'Gnomeo and Juliet' for several years since it was first announced. So did it disappoint ?  Certainly not, with a plethora of canonical references and a few to the BBCs 'Sherlock', I was in fan heaven, from the 'Storybook' opening. Johnny Depp, voicing Sherlock, was surprisingly restrained, and I really enjoyed Chiwetel Ejiofor as Watson. The film-makers also seem to subscribe to my belief that the stories are not detective stories, but instead stories about a detective (and his best friend).


Jamie Demetriou voicing Moriarty, seemed to be channelling Andrew Scott, and once I got over the character's bizarre appearance, I really enjoyed his scenes. I also enjoyed Mary J. Blige as Sherlock's ex, Irene, but would have liked her to have more scenes (also her song was all too brief). Emily Blunt and James McAvoy reprised their roles (I don't remember being as irritated by McAvoy's Gnomeo voice first time around), but the original film's supporting cast (Maggie Smith, Michael Caine, Stephen Merchant, Ozzy Osbourne) had little to do. However, Matt Lucas was very funny, in a double act with Ashley Jensen. I was also pleased to see a number of my favourite actors' names in the credits - Dexter Fletcher,  Stephen Wight and Dan Starkey. All this and the music of Elton John !!!!

The story took the characters around the sites of London, ending in a clash on a iconic London landmark (very 'Basil the Great Mouse Detective').

Definitely recommended, and I will be getting the DVD (if only to freeze-frame to spot other references).


Rating:   (5/5) 

Sunday, 15 April 2018

Forgotten Musicals: 'Ruthless!' (1992)

Forgotten Musicals: 'Ruthless!' (1992)

 

Music by Marvin Laird 

 

Lyrics & Book by Joel Paley











History:

Ruthless! The Musical is an all female musical with music by Marvin Laird and book and lyrics by Joel Paley that spoofs Broadway musicals, like Gypsy and Mame and movies such as The Bad Seed and All About Eve. Although it is written for an all-female cast, it has become somewhat of a tradition to have the role of Sylvia St. Croix performed by a man simply because Joel Vig gave the best audition for the original 1992 production.



It opened Off-Broadway at the Players Theatre on 13th March 1992 and closed 24th January1993 after 342 performances. It was directed by Joel Paley with musical direction by Marvin Laird.and discovered young performers including Britney Spears and Natalie Portman. It was then produced in Los Angeles at the Canon Theatre, where it opened on 15th November 1993, and won the 1993 New York Outer Critics Circle Award for ‘Best Off-Broadway Musical’. It made its West End premiere at the Arts Theatre opening on 27th March (previews from 16th March) for a limited run until 23rd June 2018, directed by Richard Fitch, choreography by Rebecca Howell and music supervision by Gareth Valentine.



Plot:


The musical tells the story of the beautiful and talented eight year old Tina Denmark, who lives with her housewife mother, Judy. Tina will do anything to play the lead in her school play, ‘Pippi in Tahiti’......ANYTHING !


In a Nutshell: 
How far would you go to become a star ?


Production:
I went to see the Arts Theatre production, a month into its run. Tina’s mentor Sylvia St. Croix was being played by ‘Dancing on Ice’ pantomime villain, Jason Gardiner, with Tracie Bennett (who I first saw in ‘She Loves Me’ with Ruthie Henshall many years ago) and Harriet ‘The Brittas Empire’ Thorpe playing her critic grandmother and failed-actress schoolteacher respectively. Tina was being played in rotation by four fourteen year old actresses, with Fifi Bloomsbury-Khier playing the part on the evening I attended. However, the acting plaudits must go to Kim Maresca playing Judy, Tina’s mother, who was amazing in both halves playing two very different versions of the character. The cast was rounded off by Lara Denning, playing first Tina’s rival for the lead role, then another part in the second Act.



The production was very funny, and everyone got a chance to shine, building up to a wonderful climax. I think the review quoted on the posters from the New York Observer, summed it up best – ‘Malicious and Delicious....A total joy’. Catch it while you can.

Ruthless! The Musical runs at the Arts Theatre, Leicester Square, London from 16th March 2018 to 23rd June 2018.


Signature Song:
No doubt this time – the wonderfully meta ‘I Hate Musicals’ – made all the more funny by its being sung by Tracie Bennett, who in recent years has been in so many successful musicals. I also liked ‘Teaching Third Grade’, Tina’s teacher’s mourning the loss of her acting career.

Links:

 

Interview with Creators: Laird and Paley (talkinbroadway.com)
 

Wednesday, 11 April 2018

Sherlockian Sojourns #11: ‘Abominable’ Bristol


Travelling to Swansea to meet a few ‘Sherlock’ guest stars, I decided to go via Bristol where a number of scenes for the Christmas Special ‘The Abominable Bride’ were filmed. Catching a coach from Victoria Coach Station, I spent the journey listening to the Doctor Who audio “The Behemoth”, featuring the Sixth Doctor and his companions, Constance and Flip, which featured the slave trade in and around Bristol and Bath. Exiting the coach in the city centre, I made my way to the first location, Queens Square, passing a plaque that reminded me of the audio that I had just finished.



The first location was that of the ‘Ricoletti Home’, and the balcony from which the Bride is seen to shoot two pistols.




Walking past the Theatre Royal (home of the Bristol Old Vic) which was undergoing some works, I found myself next at ‘The Famous Royal Navy Volunteer’ Public House, which appeared as the ‘Criterion Bar’ in the Victorian version of Holmes and Watson’s first meeting, as it was here that Watson (Martin Freeman) met Stamford (played by David Nellist who also played the modern-day version in ‘A Study in Pink’).



After around a ten minute walk, I found myself at Colston Hall, Bristol’s Concert Hall, whose cellars were used for the mortuary where they encountered Hooper (the lovely Louise Brealey). Unfortunately only the cafe was open due to an event being set up, and the cellars are not open to the public. I therefore had to make do with a photograph of the outside. 



Continuing along, I made my way to Bristol Cathedral, and having wandered around the building several times, finally found the statue of Queen Victoria, which identified the part of the courtyard where the Bride’s second attack was filmed.






Having wandered around the cathedral itself, I made my way to a nearby bus stop, pleased to find that Bristol buses take contactless payment. Catching an X9 bus, I made my way to the outskirts of Bristol, namely Wraxhall, getting off a stop too early for my destination, Tyntesfield, a National Trust property. This country house was used for the home of the Carmichaels (Tim McInnery & Catherine McCormack), but the scenes set in the maze were filmed somewhere very well-known to myself and my closest friends – Longleat House, which used to have a permanent ‘Doctor Who’ exhibition, and ran annual signing events.
Walking up a very long drive, I finally found myself at the house, but it then became clear that I needed to have bought a ticket from the visitors centre, which was by the entrance that I should have used. A twenty minute walk there and back, and I was stowing my bag, and taking some photos of the outside.




Entering the house, I managed to find the dining room that appears in the story as Watson’s dining room.


Many of the other rooms in the house were closed due to the ongoing installation of a new fire alarm system, and so I was soon making my way back to the bus stop that I had alighted opposite, catching a bus back into central Bristol.

Making my way to Bristol Temple Meads station, I caught a train to first Newport and then Swansea, making my way to my accommodation near to the prison.

The next day, I finally found the location of the Comic Con (which seemed to be at the top of the world), meeting Claire Gutteridge and Keith Bristow, who played the younger versions of Sherlock’s parents in the flashbacks in ‘The Final Problem’.



Both chatted enthusiastically about their time on the show, telling me that a total of forty minutes of footage had been filmed. Claire also described how she was hit in the face by a beach ball thrown by one of the children.
“I’ve now got all the Holmes family”, I boasted.
“Even Redbeard ?”, asked Claire.
“Yes”, I said meaning the dog, but it turned out that Claire was referring to ‘Victor Trevor’, whom I pointed out was not actually a member of the family.
Another signing table had a scribbled sign above it that indicated someone who had been in ‘The Abominable Bride’ (and DW spin-off ‘Class’), but there was never anyone sitting there for the whole time that I was there, so I could not get his signature also.
My straight-forward journey home was scuppered by the lack of any trains running between Cardiff and Newport, but I finally managed to make other arrangements having failed to get on two replacement buses.


Wednesday, 4 April 2018

Sherlockian Sojourns #10: ‘Something’s Fishy’

As a curtain-raiser to my planned tour of ‘The Abominable Bride’ locations, I decided to recreate the denouement of ‘The Six Thatchers’ by visiting the SEA LIFE London Aquarium on one of its ‘Lates’ events. I had got a deal advertised in ‘Time Out’ so was not able to go in until 8.30pm. I therefore spent the time between work and my booked entry time watching ‘Black Panther’ at a cinema by work, before catching a bus to the far-side of Vauxhall Bridge where Sherlock has his sudden epiphany and rushes off to the Aquarium.




Having taken a photo, I was a short distance down Milbank before realising that Sherlock had run the other way across the bridge, and I was on the wrong bank of the Thames. Retracing my steps, I was soon rushing along the South Bank until I reached Westminster Bridge, where I had to climb up to the bridge, dash across two lanes of traffic and go back down to join the South Bank on the other side. A short distance along, I joined a short queue for entry.




My bag having been checked and then placed in the cloakroom with my coat, I made my way into the Aquarium, picking up a glass of Prosecco and crossing a glass bridge with sharks and fish swimming below. It was here that a complimentary photograph was taken using a camera with a light so bright it could probably be seen outside.


On the other side of the bridge, I caught a lift down to the Aquarium proper, where I slowly made my way round. Not having checked screenshots online before going, I found myself taking photos of any tank that might have been the one Mary gets shot in front of. However, I soon recognised the tunnel that Sherlock runs through and sure enough the tank on the other side was the correct one.





Unfortunately this tank along with the others was surrounded by other participants sitting and drinking alcohol from the several bars that had been set up for the night, blocking any attempt for me to get a clear shot (If only Mary had had the same problem).






I finally found myself in the Jellyfish area which included information on the ‘Lion’s Mane’ jellyfish. 



Having walked around this and a new Rainforest area, and it being only fifteen minutes until closing time, I made my way out through the shop, to beat the rush in picking up my cloakroom items.

Thursday, 8 February 2018

British Musicals: 'Eugenius!' (2017)


British Musicals: 'Eugenius!' (2017)

 

Book, Music and Lyrics by Ben Adams & Chris Wilkins








History:

Written by former A-1 star, Ben Adams and voiceover artist, Chris Wilkins, ‘Eugenius!’ has been described by its creators as the most hotly anticipated new musical that you've never seen. Following a long development phase with several workshops, and one 'concert' performance - a sold-out, queues-round-the-block, one-nighter at the London Palladium in June 2017 (featuring Adams himself, Warwick Davies, Amy Lennox, Joanne Clifton & Sharon D. Clarke), the show finally opened for a run at ‘The Other Palace’ in Victoria, London (spitting distance from ‘Hamilton’), in a production executive-produced by former Evil Lord Hector (the comedic villain of the piece), Warwick Davies.


Plot:
Eugene spends his nights drawing comic books featuring ‘Toughman’ and his sexy sidekick ‘Superhot Lady’ whose adventures fighting against the Evil Lord Hector fill his dreams. However, life in a 1980s American High School is no dream for Eugene, and his fellow geeks, Janey and Feris. If only someone would make a movie of his comics in Hollywood, then surely all his problems would be over. Or would they ?


In a Nutshell:
If rather than shooting for the stars, you shoot higher, could there be a superhero in everyone – even a geek ?


Production:

Having ummed and ahhed about the one-nighter, it was not until the run at ‘The Other Palace’ (which I had attended several times before when it was called ‘St. James’ Theatre) that I booked a ticket for my second 80s Superhero Musical in less than a month (see Bananaman - The Musical). The press night had been a few nights before, and reviews were mixed to say the least. I therefore went with limited expectations. However, by the interval it was clear that the core fan base was ‘children of the 1980s’ and G.E.E.K.S (to slightly misquote the second song of the night). Therefore as a proud 1980s Geek, I absolutely loved it. In fact on leaving the auditorium after the final curtain call, I went straight to get a copy of the CD of the one-nighter that they were selling in the foyer, rather than waiting to see if any of the songs were online to listen to.

I was pleased to see two actors that I recognised from previous productions – Cameron Blakely (who I last saw as Gomez in the touring ‘The Addams Family’ musical) as Lex Hogan (if you get these references, definitely go) and Daniel Buckley (who I last saw playing a very similar role in the equally excellent ‘Loserville’, also co-written by a boy-band star, James Bourne of ‘Busted’) as Eugene’s comedy sidekick, Feris. Eugene was played by Liam Forde, seemingly the only true American, whilst Laura Baldwin was exquisite as his love interest and voice of reason, Janey. The ensemble was amazing, and I must also highlight the amazing work of Ian Hughes (Knibbs in Doctor Who story, ‘Empress of Mars’) as Harry Hill-esque Evil Lord Hector, who managed to amazingly combine comedic campness with evil, and Scott Paige as Theo, the even camper assistant to Lex. Mix in pre-recorded verbal cameos from Brian Blessed (as Narrator) and Mark Hamill (as Kevin, Lord Hector’s ineffectual robot) and it couldn’t have been better cast.

I particularly enjoyed the scene of the origins of ‘Toughman’ and ‘Lord Hector’, which I felt appropriately sent up the genre. The songs were all very catchy, and I was singing the final number to myself as I left the theatre. If the names ‘Zoltar’, ‘Megatron’ or ‘Fraggles’ mean anything to you, or you know what a ‘truffle shuffle’ is or why a band in it is called 'Flock of Eagles', then book a ticket as soon as you can. Cannot recommend this enough !!!!.


Eugenius!' runs at ‘The Other Palace’ in London from 22nd January to 3rd March 2018.

Signature Song:
I have real problems choosing – I love ‘G.E.E.K’, ‘The No Pants Dance’, ‘Happy Endings Don’t Exist’ and ‘Comic Book Kind of Love’, but I suppose that the title track is my favourite, being called ‘Go You Genius !’ on the first time it is sung and ‘Go Eugenius !’ as the rousing final number. 



Did I Buy The Cast Recording ?

Yes, on CD (before leaving the theatre). 


Links:
Production website.
Show website..

Saturday, 20 January 2018

British Musicals: 'Bananaman: The Musical' (2017)

British Musicals: 'Bananaman: The Musical' (2017)

 

Book, Music and Lyrics by Leon Parris. 





History:

The launch of a new DC Thompson comic 'Nutty' in 1980 required the creation of a new superhero. The year before, 'Superman - The Movie' had captivated British children, so editor David Donaldson needing a hero with similar a-peel (geddit?) worked with writer Steve Bright to develop a very British superhero who cleverly poked fun at the 'why so serious' portrayals of superheroes Stateside. Bananaman and his alter ego Eric Wimp became the 'Nutty' cover-star, and between 1983 and 1986, the BBC aired a cartoon series based on Bananaman and featuring the voices of the members of The Goodies. Parts of the character were changed for the series: he was now called Eric Twinge, had an distinctive banana shaped hairstyle rather than punk stubble, and had a love interest (only when transformed) in the form of Fiona, an newsreader based on Selina Scott and also a possible homage to Lois Lane. Bananaman continues his adventures, reimagined by comic super-artist, Wayne Thompson. He also continues to appear in both the 'Dandy' and 'Beano' annuals.

In 2017, Bananaman again rose from the page in a musical by Leon Parris, whose previous shows include Enid Blyton’s The Famous Five, Wolfboy, Stig of the Dump and Monte Cristo, among others. Parris, winner of a Vivian Ellis Award for Best Musical and a Really Useful Group Award for Most Promising Writer, had watched the cartoon series every day after school and read the comic strip instead of doing homework, and when looking for a new subject for a family musical, returned to childhood for inspiration. The premiere of this musical was at Southwark Playhouse on 15th December 2017. 


Plot:

Eric Wimp's life is stuck in a rut living in Acacia Road - being bullied at school, eating his mother's unusual cooking, helping out in the family fruit shop, and failing to ask out his classmate, Fiona. But will the crashing of a comet into Acacia Rise lead all this to change ? And will Doctor Gloom and General Blight manage to enact their (separate) evil plans ?   Acacia Road needs a hero (preferably full of Potassium).



In a Nutshell:

Is it bananas to rely on a man dressed in blue and yellow to save your town ? 



Production:

I saw the show near the end of its run and was pleased to see two names that I recognised from a previous Southwark Playhouse production - 'The Toxic Avenger' - Marc Pickering & Lizzi Hills. Entering the auditorium, I was in nostalgia heaven with 'Bananaman' comic strips on the back wall, and a playlist of 1980's Childrens TV theme tunes playing - including 'Dogtanian', 'Poddington Peas', 'Rhubbarb' and 'Pigeon Street'. The set was minimal as with many SP productions, but was appropriately used, with a pair of moving steps being used to gain access to a mezzanine level for some scenes.

The songs were excellent - with a few moments that were clear variations on Dave Cooke's legendary theme tune. In keeping with the series, Eric and Bananaman were played by different actors - Mark Newnham and Matthew McKenna, with both getting their respective characterisations perfect - nerdy vs. idiot. Lizzii Hills was again the superhero's mother, and there was solid support from TJ Lloyd as Chief O'Reilly, Emma Ralston as Fiona (now a teenage newsblogger) and particularly Jodie Jacobs (who I saw in 'Rock of Ages' several years ago) as Crow, who appeared in-vision with the Crow puppet a la 'Avenue Q'. 

However, the show belonged to the bad guy, namely Marc Pickering's Doctor Gloom, with his nasally voice and over-the-top evil plans. General Blight (Carl Mullaney) was relegated to a comedy sidekick, but did get his own chance to shine in Act 2. 


Full of puns, and including one sequence that had the entire auditorium laughing, a good night seemed to be had by all, the audience seemingly full of 'children of the 1980's' and their children. An evening of nostalgia that I am glad I did not miss.


'Bananaman - The Musical' ran at the Southwark Playhouse in London from 15th December 2017 to 20th January 2018.


Signature Song:

Definitely 'A Call to Arms'  (see below), in which Dr. Gloom motivates his troops (including 'The Weatherman' and 'Eddie The Gent'.


Did I Buy The Cast Recording ?

Although the YouTube videos below indicate a case recording session, I have not seen it for sale. I would definitely buy it. However, I have downloaded the two available tracks from YouTube.

Links:

YouTube - 'A Call To Action'     (also 'Every Great Cliche')

British Musicals - Introduction


As a companion-piece to my 'Forgotten Musicals' posts, I have decided to extend my gaze to cover New British Musicals also.

In line with 'Forgotten Musicals', each entry will be completed under the following headings:


History:
The history of the musical and previous runs.



Plot:
A summary of the plot.


In A Nutshell:
The plot in a sentence.


Production:
Details of the production that I saw, as well as comments/reviews of it.



Signature Song:
The one song that I enjoyed most/think sums up the musical best.



Did I Buy The Cast Recording ?:
Did I enjoy it enough to buy the recording ?








Links: 
Links to online material, including recordings, videos and production websites.