Monday, 28 May 2018

Sherlockian Sojourns #12: Undershaw

Having made a previous attempt to visit Undershaw, home of Sir Arthur Conan Doyle between 1897 and 1907, the announcement that the Sherlock Holmes Society of London would be organising a trip to an Open Day, with a minibus picking people up from Haslemere Station, meant that I swiftly signed up. In the meantime, South Western Railway decided to cancel all trains from Guildford to Haslemere for the whole Bank Holiday Weekend, which included the Open Day. The plan was therefore changed to the minibus picking up from Guildford.

I therefore caught a train to Guildford, finding the minibus waiting a short distance away, climbing on and waiting for the other passengers. The bus slowly filled up, but we were still waiting one final passenger. Finally, we had to leave without him. The minibus swiftly made its was to the A3 and the Hindhead Tunnel, before pulling to a halt at the top of the long drive down to the house.



Walking down, having arrived at the same time as several other Society members, soon we were down by the house, with its plaque indicating its former resident.



The house was specially commissioned by ACD for his wife, Louisa (known as Touie) who was diagnosed with Tuberculosis (TB) in 1893. ACD moved her and other members of his family to Switzerland for the clean air.  However, ACD’s literary friend Grant Allan was a fellow TB sufferer who stated that the air in Hindhead, Surrey’s highest point, had added years to his life.  Following this discussion, ACD decided to buy a plot of land which he described in a letter to his mother:

'I rushed down to Hindhead where I bought an admirable plot of ground, put the architectural work into the hands of my old friend (Henry) Ball of Southsea, and saw a builder chosen and everything in train before leaving England. ...If Egypt was a success, we should have a roof of our own to which to return'. 'The thought of it brought renewed hope to the sufferer' (Touie)

After visiting the site ACD commented:

'If we could have ordered nature to construct a spot for us, it could not have hit upon anything more perfect.'


The house was named Undershaw by ACD although there are conflicting reasons for the choice of name.   Some believe that the name Undershaw derived from the fact that the house’s position was downhill from George Bernard Shaw’s house "Blen Cathra" in Hindhead, now the site of St Edmund's School, thus literally ‘under Shaw’.  Others maintain that the name was derived from the Angelo Saxon word ‘shaw’ meaning a nearby grove of hanging trees.




The building is now a school with a new extension (more details later) and I made my way to the school hall (part of the new part of the building) for the first talk of the day, "Arthur Conan Doyle: An Edinburgh Man", being given by Ann Treherne of Edinburgh's Arthur Conan Doyle Centre  (which I had seen as part of the Edinburgh Fringe in 2015). This talk focused on ACD's early life in Edinburgh, his interest in art and music (activities undertaken by the Centre) and his involvement in Spiritualism (the Centre contains a Spiritualist Church).

Next it was time for the main event - a tour of the building. Starting outside by the Stables (outside which Shaun the Sheep was standing guard) which have been converted into accommodation for staff, we made our way back into the main building, through the large entrance door (to allow access for Touie's bathchair) visiting the Billiard Room first with its strangely sited fireplace (to avoid interfering with play).




Next up was ACD's Study (now the Headmistress' office), where he wrote probably the best known Sherlock Holmes adventure, 'The Hound of the Baskervilles' (and his historical novel, 'Sir Nigel').


 Moving on we made our way upstairs via the new part of the building to first Sir Arthur's bedroom and then Touie's bedroom (the much larger one).



Moving back into the corridor, we were able to see the stained glass window created by ACD featuring various family crests, his initials, a Thistle (representing himself) and an English Rose (representing Touie).






We then moved along the corridor to the bedrooms of this two children, Kingsley and Mary, which have since been combined to make a larger room. It was standing in here, our last stop, that our guide explained about 'Stepping Stones', the school that took on the building. Undershaw became a hotel and restaurant in 1924, but ceased trading in 2004 and was subsequently sold to a developer who was granted planning permission to extend and convert the house into five dwellings, vertically splitting the original building into two houses. However, in September 2016, Undershaw opened as the new Upper School of Stepping Stones School. Founded in 2004 by parents Larry Sullivan and Sandy Seagrove, who despaired of finding the right school for their daughter, Stepping Stones prides itself on its reputation as an alternative special needs school, catering to those who fall between mainstream and special needs provision. Today the school caters for 60 young people and in the words of its website:

'The school makes provision for children who have acquired processing delays due to: acute or chronic medical conditions, hemiplegia or mild cerebral palsy; those whose mental and/or emotional health is at risk due to direct or indirect trauma; and those whose mild autism creates learning needs'.


Making my way back downstairs, I popped outside to buy a cookie from 'The Cookie Bus', a converted 1963 Routemaster bus which visits festivals, fetes and other events, which is attached to the School's nearby social enterprise cafe, 'The Cookie Bar'. This provides an environment for pupils to experience all aspects of running a business and helps young people in their journeys to become social and economic contributors.  


Returning to the main hall, I was just in time for a talk by local historian, Dr. Marion Dell, entitled 'We Could Not Have Hit Upon Anything More Perfect - ACD and his family and friends at Undershaw'. This started with the building of Undershaw, and then was a year-by-year description of visitors and events at Undershaw, brought to life with contemporary photographs and newspaper reports, as well as excerpts from ACD's letters to his mother. So impressed was I with the talk, that I immediately made my way to the cafe which was acting as a bookshop to buy a copy of Dr. Dell's 'The Rise and Fall of the English Switzerland', which she happily signed for me.

It was time for lunch, so I made my way out to the large lawn in front of the house, where I purchased a barbecued burger with cheese and a can of coke, sitting in the lovely son, taking in the health-giving local air. Returning into the house, I took the opportunity to take a few more photos, including getting one of the stewards to take a photo of me in the Study (albeit at a replacement desk and chair) for a donation to School funds.



It was then time for the final talk of the day, 'Sherlock Holmes in Film and Print' by Bonnie MacBride, Hollywood Screenwriter (she was the original screenwriter of 'Tron') and pastiche author. The presentation was excellent with my having to put my hand up when she asked for whom 'Basil the Great Mouse Detective' had been their 'gateway drug' into Holmes.

There was now a long gap in proceedings, which I spent wandering the grounds, passing Touie's garden hut, and taking some more photos of the outside of the house. The extension has divided Sherlockians, but I was pleased that it was obvious which bit was new, and which was original.




It was then time to visit the bookshop again, where MX Publishing were having a half-price sale. I ended up buying a book about Dr. Watson, a novel featuring the adventures of Mary Watson nee Morstan, and two picture books - 'Is That My Holmes ?' and 'Is That My Watson ?'

Having had another cookie, and chats with other Society members, it was finally time to make my way back into the main hall for the evening's entertainment, a production of the 'The Hound of the Baskervilles' spoof orginated by Peepolykus, only a few hundred yards from the room where the book was written. The production was from Torchlight Mysteries based in Portsmouth (another ACD locale), and was very good. However, it seemed from conversations overheard in the interval that some locals that had come for the play had not been aware that it was a spoof.

Play concluded, and having been given a flyer for their next production, featuring 'the woman' Irene Adler, I was making my way back up the drive to the bus stop where the minibus picked us up again, taking us back to Guildford Station, from where I caught a train home, tired after an excellent day.


Sunday, 20 May 2018

THEATRE REVIEW: 'Sherlock Holmes: The Final Curtain' - Rose Theatre, Kingston

THEATRE REVIEW: Sherlock Holmes - The Final Curtain

by Simon Reade after Arthur Conan Doyle
Directed by David Grindley.  




This represents Robert Powell's third time playing Holmes, having previously played him in a 1974 BBC Radio version of 'A Study in Scarlet' and a tour in 'Sherlock Holmes - The Musical'.  This new thriller, commissioned by Theatre Royal Bath from award-winning dramatist Simon Reade, previously Literary Manager at the Royal Shakespeare Company, and currently touring the country sees Holmes coming out of retirement, possibly for a final case. All too aware that he’s older and slower, he’s concerned that he might have lost his touch, paranoid that he is an easy target for his enemies. There have been so many over the years. He never truly believed Moriarty - his arch nemesis - died at the Reichenbach Falls. So when Mary Watson (wife of his former associate Dr John Watson) [played by Liza Goddard] tracks him down, telling him she has seen her long-dead son, James, through the window of 221B Baker Street, apparently alive and well, Holmes is determined to solve the mystery and confront his own demons at the same time.

I was supposed to be seeing this play with a friend, but due to illness he was unable to accompany me. I therefore had the whole of one of the fold-down benches at the Rose Theatre to myself. The play started with Dr. Watson [Timothy Kightley] narrating the adventure for the new BBC wireless service (so no adverts for Petrie Wine), which initially appeared to be the canonical 'The Lion's Mane'. I really enjoyed Kightley's performance and thought that it was a shame that he was rather sidelined in the second Act, which introduced Mycroft Holmes [Roy Sampson] as Holmes confidante. I also enjoyed Anna O'Grady as Miss Hudson (the daughter of the original 221b housekeeper). The star of the show (sorry Mr. Powell) was the 221b Study set which was the best I have ever seen in any Sherlockian production.

I enjoyed Robert Powell's performance, but struggled more with Liza Goddard's part which seemed a little underwritten. There were also slightly too many canonical quotes for my liking. The twists towards the end of the second Act were also reasonably obvious (I had predicted most of them by the interval) but this did not impact on my enjoyment.

Worth catching if it comes to a theatre near you.   (Click here for tour dates)


Rating:    (4/5)


And afterwards I managed to meet Mr. Powell and Ms. Goddard !
 



REVIEW: Sherlock Gnomes (2018)


   Sherlock Gnomes (2018)










I have been looking forward to this sequel to 'Gnomeo and Juliet' for several years since it was first announced. So did it disappoint ?  Certainly not, with a plethora of canonical references and a few to the BBCs 'Sherlock', I was in fan heaven, from the 'Storybook' opening. Johnny Depp, voicing Sherlock, was surprisingly restrained, and I really enjoyed Chiwetel Ejiofor as Watson. The film-makers also seem to subscribe to my belief that the stories are not detective stories, but instead stories about a detective (and his best friend).


Jamie Demetriou voicing Moriarty, seemed to be channelling Andrew Scott, and once I got over the character's bizarre appearance, I really enjoyed his scenes. I also enjoyed Mary J. Blige as Sherlock's ex, Irene, but would have liked her to have more scenes (also her song was all too brief). Emily Blunt and James McAvoy reprised their roles (I don't remember being as irritated by McAvoy's Gnomeo voice first time around), but the original film's supporting cast (Maggie Smith, Michael Caine, Stephen Merchant, Ozzy Osbourne) had little to do. However, Matt Lucas was very funny, in a double act with Ashley Jensen. I was also pleased to see a number of my favourite actors' names in the credits - Dexter Fletcher,  Stephen Wight and Dan Starkey. All this and the music of Elton John !!!!

The story took the characters around the sites of London, ending in a clash on a iconic London landmark (very 'Basil the Great Mouse Detective').

Definitely recommended, and I will be getting the DVD (if only to freeze-frame to spot other references).


Rating:   (5/5) 

Sunday, 15 April 2018

Forgotten Musicals: 'Ruthless!' (1992)

Forgotten Musicals: 'Ruthless!' (1992)

 

Music by Marvin Laird 

 

Lyrics & Book by Joel Paley











History:

Ruthless! The Musical is an all female musical with music by Marvin Laird and book and lyrics by Joel Paley that spoofs Broadway musicals, like Gypsy and Mame and movies such as The Bad Seed and All About Eve. Although it is written for an all-female cast, it has become somewhat of a tradition to have the role of Sylvia St. Croix performed by a man simply because Joel Vig gave the best audition for the original 1992 production.



It opened Off-Broadway at the Players Theatre on 13th March 1992 and closed 24th January1993 after 342 performances. It was directed by Joel Paley with musical direction by Marvin Laird.and discovered young performers including Britney Spears and Natalie Portman. It was then produced in Los Angeles at the Canon Theatre, where it opened on 15th November 1993, and won the 1993 New York Outer Critics Circle Award for ‘Best Off-Broadway Musical’. It made its West End premiere at the Arts Theatre opening on 27th March (previews from 16th March) for a limited run until 23rd June 2018, directed by Richard Fitch, choreography by Rebecca Howell and music supervision by Gareth Valentine.



Plot:


The musical tells the story of the beautiful and talented eight year old Tina Denmark, who lives with her housewife mother, Judy. Tina will do anything to play the lead in her school play, ‘Pippi in Tahiti’......ANYTHING !


In a Nutshell: 
How far would you go to become a star ?


Production:
I went to see the Arts Theatre production, a month into its run. Tina’s mentor Sylvia St. Croix was being played by ‘Dancing on Ice’ pantomime villain, Jason Gardiner, with Tracie Bennett (who I first saw in ‘She Loves Me’ with Ruthie Henshall many years ago) and Harriet ‘The Brittas Empire’ Thorpe playing her critic grandmother and failed-actress schoolteacher respectively. Tina was being played in rotation by four fourteen year old actresses, with Fifi Bloomsbury-Khier playing the part on the evening I attended. However, the acting plaudits must go to Kim Maresca playing Judy, Tina’s mother, who was amazing in both halves playing two very different versions of the character. The cast was rounded off by Lara Denning, playing first Tina’s rival for the lead role, then another part in the second Act.



The production was very funny, and everyone got a chance to shine, building up to a wonderful climax. I think the review quoted on the posters from the New York Observer, summed it up best – ‘Malicious and Delicious....A total joy’. Catch it while you can.

Ruthless! The Musical runs at the Arts Theatre, Leicester Square, London from 16th March 2018 to 23rd June 2018.


Signature Song:
No doubt this time – the wonderfully meta ‘I Hate Musicals’ – made all the more funny by its being sung by Tracie Bennett, who in recent years has been in so many successful musicals. I also liked ‘Teaching Third Grade’, Tina’s teacher’s mourning the loss of her acting career.

Links:

 

Interview with Creators: Laird and Paley (talkinbroadway.com)
 

Wednesday, 11 April 2018

Sherlockian Sojourns #11: ‘Abominable’ Bristol


Travelling to Swansea to meet a few ‘Sherlock’ guest stars, I decided to go via Bristol where a number of scenes for the Christmas Special ‘The Abominable Bride’ were filmed. Catching a coach from Victoria Coach Station, I spent the journey listening to the Doctor Who audio “The Behemoth”, featuring the Sixth Doctor and his companions, Constance and Flip, which featured the slave trade in and around Bristol and Bath. Exiting the coach in the city centre, I made my way to the first location, Queens Square, passing a plaque that reminded me of the audio that I had just finished.



The first location was that of the ‘Ricoletti Home’, and the balcony from which the Bride is seen to shoot two pistols.




Walking past the Theatre Royal (home of the Bristol Old Vic) which was undergoing some works, I found myself next at ‘The Famous Royal Navy Volunteer’ Public House, which appeared as the ‘Criterion Bar’ in the Victorian version of Holmes and Watson’s first meeting, as it was here that Watson (Martin Freeman) met Stamford (played by David Nellist who also played the modern-day version in ‘A Study in Pink’).



After around a ten minute walk, I found myself at Colston Hall, Bristol’s Concert Hall, whose cellars were used for the mortuary where they encountered Hooper (the lovely Louise Brealey). Unfortunately only the cafe was open due to an event being set up, and the cellars are not open to the public. I therefore had to make do with a photograph of the outside. 



Continuing along, I made my way to Bristol Cathedral, and having wandered around the building several times, finally found the statue of Queen Victoria, which identified the part of the courtyard where the Bride’s second attack was filmed.






Having wandered around the cathedral itself, I made my way to a nearby bus stop, pleased to find that Bristol buses take contactless payment. Catching an X9 bus, I made my way to the outskirts of Bristol, namely Wraxhall, getting off a stop too early for my destination, Tyntesfield, a National Trust property. This country house was used for the home of the Carmichaels (Tim McInnery & Catherine McCormack), but the scenes set in the maze were filmed somewhere very well-known to myself and my closest friends – Longleat House, which used to have a permanent ‘Doctor Who’ exhibition, and ran annual signing events.
Walking up a very long drive, I finally found myself at the house, but it then became clear that I needed to have bought a ticket from the visitors centre, which was by the entrance that I should have used. A twenty minute walk there and back, and I was stowing my bag, and taking some photos of the outside.




Entering the house, I managed to find the dining room that appears in the story as Watson’s dining room.


Many of the other rooms in the house were closed due to the ongoing installation of a new fire alarm system, and so I was soon making my way back to the bus stop that I had alighted opposite, catching a bus back into central Bristol.

Making my way to Bristol Temple Meads station, I caught a train to first Newport and then Swansea, making my way to my accommodation near to the prison.

The next day, I finally found the location of the Comic Con (which seemed to be at the top of the world), meeting Claire Gutteridge and Keith Bristow, who played the younger versions of Sherlock’s parents in the flashbacks in ‘The Final Problem’.



Both chatted enthusiastically about their time on the show, telling me that a total of forty minutes of footage had been filmed. Claire also described how she was hit in the face by a beach ball thrown by one of the children.
“I’ve now got all the Holmes family”, I boasted.
“Even Redbeard ?”, asked Claire.
“Yes”, I said meaning the dog, but it turned out that Claire was referring to ‘Victor Trevor’, whom I pointed out was not actually a member of the family.
Another signing table had a scribbled sign above it that indicated someone who had been in ‘The Abominable Bride’ (and DW spin-off ‘Class’), but there was never anyone sitting there for the whole time that I was there, so I could not get his signature also.
My straight-forward journey home was scuppered by the lack of any trains running between Cardiff and Newport, but I finally managed to make other arrangements having failed to get on two replacement buses.


Wednesday, 4 April 2018

Sherlockian Sojourns #10: ‘Something’s Fishy’

As a curtain-raiser to my planned tour of ‘The Abominable Bride’ locations, I decided to recreate the denouement of ‘The Six Thatchers’ by visiting the SEA LIFE London Aquarium on one of its ‘Lates’ events. I had got a deal advertised in ‘Time Out’ so was not able to go in until 8.30pm. I therefore spent the time between work and my booked entry time watching ‘Black Panther’ at a cinema by work, before catching a bus to the far-side of Vauxhall Bridge where Sherlock has his sudden epiphany and rushes off to the Aquarium.




Having taken a photo, I was a short distance down Milbank before realising that Sherlock had run the other way across the bridge, and I was on the wrong bank of the Thames. Retracing my steps, I was soon rushing along the South Bank until I reached Westminster Bridge, where I had to climb up to the bridge, dash across two lanes of traffic and go back down to join the South Bank on the other side. A short distance along, I joined a short queue for entry.




My bag having been checked and then placed in the cloakroom with my coat, I made my way into the Aquarium, picking up a glass of Prosecco and crossing a glass bridge with sharks and fish swimming below. It was here that a complimentary photograph was taken using a camera with a light so bright it could probably be seen outside.


On the other side of the bridge, I caught a lift down to the Aquarium proper, where I slowly made my way round. Not having checked screenshots online before going, I found myself taking photos of any tank that might have been the one Mary gets shot in front of. However, I soon recognised the tunnel that Sherlock runs through and sure enough the tank on the other side was the correct one.





Unfortunately this tank along with the others was surrounded by other participants sitting and drinking alcohol from the several bars that had been set up for the night, blocking any attempt for me to get a clear shot (If only Mary had had the same problem).






I finally found myself in the Jellyfish area which included information on the ‘Lion’s Mane’ jellyfish. 



Having walked around this and a new Rainforest area, and it being only fifteen minutes until closing time, I made my way out through the shop, to beat the rush in picking up my cloakroom items.

Thursday, 8 February 2018

British Musicals: 'Eugenius!' (2017)


British Musicals: 'Eugenius!' (2017)

 

Book, Music and Lyrics by Ben Adams & Chris Wilkins








History:

Written by former A-1 star, Ben Adams and voiceover artist, Chris Wilkins, ‘Eugenius!’ has been described by its creators as the most hotly anticipated new musical that you've never seen. Following a long development phase with several workshops, and one 'concert' performance - a sold-out, queues-round-the-block, one-nighter at the London Palladium in June 2017 (featuring Adams himself, Warwick Davies, Amy Lennox, Joanne Clifton & Sharon D. Clarke), the show finally opened for a run at ‘The Other Palace’ in Victoria, London (spitting distance from ‘Hamilton’), in a production executive-produced by former Evil Lord Hector (the comedic villain of the piece), Warwick Davies.


Plot:
Eugene spends his nights drawing comic books featuring ‘Toughman’ and his sexy sidekick ‘Superhot Lady’ whose adventures fighting against the Evil Lord Hector fill his dreams. However, life in a 1980s American High School is no dream for Eugene, and his fellow geeks, Janey and Feris. If only someone would make a movie of his comics in Hollywood, then surely all his problems would be over. Or would they ?


In a Nutshell:
If rather than shooting for the stars, you shoot higher, could there be a superhero in everyone – even a geek ?


Production:

Having ummed and ahhed about the one-nighter, it was not until the run at ‘The Other Palace’ (which I had attended several times before when it was called ‘St. James’ Theatre) that I booked a ticket for my second 80s Superhero Musical in less than a month (see Bananaman - The Musical). The press night had been a few nights before, and reviews were mixed to say the least. I therefore went with limited expectations. However, by the interval it was clear that the core fan base was ‘children of the 1980s’ and G.E.E.K.S (to slightly misquote the second song of the night). Therefore as a proud 1980s Geek, I absolutely loved it. In fact on leaving the auditorium after the final curtain call, I went straight to get a copy of the CD of the one-nighter that they were selling in the foyer, rather than waiting to see if any of the songs were online to listen to.

I was pleased to see two actors that I recognised from previous productions – Cameron Blakely (who I last saw as Gomez in the touring ‘The Addams Family’ musical) as Lex Hogan (if you get these references, definitely go) and Daniel Buckley (who I last saw playing a very similar role in the equally excellent ‘Loserville’, also co-written by a boy-band star, James Bourne of ‘Busted’) as Eugene’s comedy sidekick, Feris. Eugene was played by Liam Forde, seemingly the only true American, whilst Laura Baldwin was exquisite as his love interest and voice of reason, Janey. The ensemble was amazing, and I must also highlight the amazing work of Ian Hughes (Knibbs in Doctor Who story, ‘Empress of Mars’) as Harry Hill-esque Evil Lord Hector, who managed to amazingly combine comedic campness with evil, and Scott Paige as Theo, the even camper assistant to Lex. Mix in pre-recorded verbal cameos from Brian Blessed (as Narrator) and Mark Hamill (as Kevin, Lord Hector’s ineffectual robot) and it couldn’t have been better cast.

I particularly enjoyed the scene of the origins of ‘Toughman’ and ‘Lord Hector’, which I felt appropriately sent up the genre. The songs were all very catchy, and I was singing the final number to myself as I left the theatre. If the names ‘Zoltar’, ‘Megatron’ or ‘Fraggles’ mean anything to you, or you know what a ‘truffle shuffle’ is or why a band in it is called 'Flock of Eagles', then book a ticket as soon as you can. Cannot recommend this enough !!!!.


Eugenius!' runs at ‘The Other Palace’ in London from 22nd January to 3rd March 2018.

Signature Song:
I have real problems choosing – I love ‘G.E.E.K’, ‘The No Pants Dance’, ‘Happy Endings Don’t Exist’ and ‘Comic Book Kind of Love’, but I suppose that the title track is my favourite, being called ‘Go You Genius !’ on the first time it is sung and ‘Go Eugenius !’ as the rousing final number. 



Did I Buy The Cast Recording ?

Yes, on CD (before leaving the theatre). 


Links:
Production website.
Show website..