Showing posts with label scovell. Show all posts
Showing posts with label scovell. Show all posts

Saturday, 31 December 2022

2022 Awards: 'Sherlock Holmes'

TV/Film

Only the one TV/Film production again this year - Netflix's excellent 'Enola Holmes 2'. Click here for my review.



Plays

8) Miss Sherlock Holmes   (Esher Theatre)

7) The Poison Belt  (Jermyn Street Theatre, London)

6) Max & Ivanthology: Holmes & Watson   (Pleasance Theatre)

5) The Hound of the Baskervilles (Harlequin Theatre, Redhill)

4) The Return of Sherlock Holmes  (Upstairs At The Gatehouse)

3) The Valley of Fear  (Greenwich Theatre)

2) Sherlock Holmes and the Sons of Anubis (Coulsdon Community Centre)

1) Sherlock Holmes: The Final Problem  (Ashroft Arts Centre, Fareham)



Audios

3) The Fiends of New York City (Big Finish)

2) The Adventure of the Deceased Doctor  (Big Finish)

1) Moriarty - The Devil's Game  (Audible Original/Treefort Media)   [Click here for review]




Sojourns

10) Kingston & Richmond

9) Reigate

8) Woolwich

7) Crowthorne

6) Amberley

5) Oxford

4) Liverpool

3) SHERLOCK's South Wales

2) Old Royal Naval College

1) East Anglia

 

   

 

Tuesday, 15 November 2022

THEATRE REVIEW: Sherlock Holmes: The Final Problem


THEATRE REVIEW: Sherlock Holmes: The Final Problem


by Sir Arthur Conan Doyle, Adapted & Directed by Nick Scovell.

(Ashcroft Arts Centre, Fareham) 

 
  
 
 

Having previously seen two Sherlockian productions by the Fareham Musical Society - 'The Sign of Four' and 'The Scarlet Woman' - what was it that that encouraged me to fight against the efforts of South Western Railways on a Saturday to prevent me from reaching Fareham, a market town at the north-west tip of Portsmouth Harbour (where I previously saw SIGN) ?  And what makes me want to give more that the cursory reviews that I gave the previous two. The answer lies in the triple-threat that is Nick Scovell - writer, director and embodiment of Dr. John H. Watson. As I have previously remarked, Scovell was previously known to me as since 1996 he has portrayed the Doctor from ‘Doctor Who’ on film, stage and audio, in original productions and reimagined versions of TV stories. But it is for his performance as my other favourite Doctor that I wish to rhapsodise him today.

Scovell gives us Watson's full range - Watson the doctor, Watson the former military man, Watson the only friend of an unlikeable consulting detective, and Watson the husband (to a returning Grace Campbell as Mary). Watson can sometimes be simply a cipher in adaptations, simply asking questions to explain the plot and make Holmes look amazing. However, Scovell's Watson is Holmes' equal, very much confirming Holmes' assertion that 'there is no man who is better worth having at your side when you are in a tight place'  (Ironically in 'The Hound of the Baskervilles', the Scovell adaptation of which I missed). A scene with Inspector Hopkins near the end of the play, outlining a tragic event mentioned in 'The Empty House' moved me to tears. It was always Watson who wrote the stories (with a few tweaks from his Literary Agent, Arthur Conan Doyle), and this production certainly benefited from being written by its Watson.

But onto the rest of the cast and the play itself, which combined 'The Final Problem', with 'The Musgrave Ritual', showing us the case where Holmes was finally able to find evidence of Moriarty's involvement as 'the organiser of half that is evil and of nearly all that is undetected in the great city (of London)'. Jonathan Redwood returned as Holmes, and both he and Campbell were excellent, not being portrayed as rivals for Watson/John, but working together in his best interests. Paul Goldthorpe was also very good as Inspector Stanley Hopkins, now working for Special Branch. 'The Scarlet Woman's Lestrade, Ben Lister, got an upgrade, becoming the Napoleon of Crime himself, Professor James Moriarty, and was ably assisted by Paul Denney (who played the King of Bohemia in 'TSW') as Colonel Sebastian Moran. Those involved in the Musgrave Ritual, Graeme Clements (Brunton), Marina Voak (Rachel), and Roger Trencher (Musgrave) also played their parts well. However, Alison Dea's gypsywoman, Madame Vadoma, added very little to the plot. I would also have liked the scene of Watson calling Holmes' name into the Falls, and a version of Watson's (erroneous as it turned out) deductions about what had happened.

A wonderful production, and no indept public transport system will prevent me from attending any future Sherlockian offering from Mr. Scovell.



Dramatic Score: 10/10


Rating: (5/5)

Thursday, 23 September 2021

Sherlockian Sojourns #26: Return to Portsmouth

A further Sherlockian production from ‘Fareham Musical Society’, having enjoyed their version of ‘The Sign of Four’ last year (see here for a brief review), meant that I decided to revisit Holmes’ birthplace, Portsmouth and Southsea.  [My previous sojourn can be found here].

 

Before beginning on the Sherlockian sites that I had missed on my previous visits, on my train journey down I made a brief detour to Cosham and the North Harbour, which contains the main headquarters of IBM UK Ltd, which appeared in the ‘Doctor Who’ story ‘Revelation of the Daleks’, starring Colin Baker and Nicola Bryant. The site is private property so I had to make do with photos from a distance.

 

Catching a bus into central Portsmouth, passing ‘Doyle Court’ in Hilsea  (the next building along is ‘Kipling Court’), until I reached Portsmouth City Museum. Having wandered round ‘A Study in Sherlock: Uncovering the Arthur Conan Doyle Collection’  (the temporary You don't know Sherlock Holmes… yet’ exhibition having finished), I checked whether the shop had any new Sherlockian merchandise (which it didn’t), before making my way down towards the waterfront, and 4 Southsea Terrace, where Conan Doyle and his first wife Touie lived here for six weeks in May-June 1896, whilst awaiting the completion of ‘Undershaw’, their purpose-built home in Hindhead, Surrey.

 

 

Walking past Touie’s former home, I made my way up Osborne Road and then into Clarendon Road, until I reached ‘Sherlock’s Bar’, which opened in July 2020. The bar is open Thursdays to Saturdays 5pm-11pm and Sundays 12pm-11pm. However, on Tuesdays and Wednesdays between 11am and 2pm they host Spark Community Space’s Cuppa & Cake drop-in sessions. SCS is a local charity, working to reach those who have been left out or left behind, to give people a place to belong, to be part of a community of support, to heal together and to spark back into life. Having taken photographs of the outside of the café, I was invited in for a drink and a cheese toastie for a donation to the charity, which also allowed me to get photos of the inside, including a very impressive portrait of Basil Rathbone.

 

Fed and watered, I made my way towards the spot that I always visit when in Portsmouth, Holmes’ ‘birthplace’. Halfway there, I popped into Southsea Library which had a display in relation to ‘Mr. Doyle’s Class Presents A STUDY IN SCARLET’, a graphic novel produced by the Conan Doyle Collection at the Central Library.


Finally, I reached Bush House. It here in 1882 that Conan Doyle opened his practice of ophthalmology. His lack of clientele left him plenty of time to read, write and he began to publish short stories, but without great success. However, in 1887, he wrote ‘A Study in Scarlet’, which features Sherlock Holmes for the first time. Plaques indicate the site’s literary significance.

I then made my way to the outskirts of Portsmouth, and a Public House a short distance from a church hall where in 2019 I saw a double bill of dramatisations of ‘The Man With the Twisted Lip’ and ‘The Dying Detective’. The lounge bar of the Northcote Hotel is decorated with film memorabilia going back to the comedians of the silent era and the most famous of all fictional detectives, Sherlock Holmes. Sitting in the SH corner, I supped on my pint (of Pepsi Max).

    

 

Returning to the main road, I caught a bus back to Portsmouth and Southsea Station, before moving round the corner to the Conan Doyle bench, to have another sit down.

 

Grabbing some food, I then made my way to the New Theatre Royal, and took my seat for ‘Sherlock Holmes: The Scarlet Woman’. The show was based on ‘A Scandal in Bohemia’, but another story was woven in and took up a large proportion of the second half. The script by Nick Scovell (who also appeared as Watson) was perfect, and it was great to see him reunited with Jonathan Redwood as Holmes, Grace Campbell as Mary and Alison Dea as Mrs Hudson. This time they were joined by Ben Lidster as Lestrade, Graeme Clements as a wonderful Shinwell Johnson, Roger Trencher as the mysterious Camille (whose true identity was clear to me from the outset so much did he look like the Strand illustration), Alan Backhouse as Mycroft, Paul Denney as the King, and Beth Marshall as ‘the woman’. Very, very good. I will continue to look out for any future Sherlockian shows by this group.


Feeling very tired, I made my way back to the station, then home, arriving just before 1am.